untitled (portrait of woman), Kim In-seung

Artwork Overview

1910–2001
untitled (portrait of woman), 1941
Where object was made: Empire of Japan (present-day North Korea)
Material/technique: oil; canvas
Credit line: Partial Gift from John and Charles Downing, in memory of Archie E. Downing and Museum purchase: R. Charles and Mary Margaret Clevenger Fund
Accession number: 2024.0008
Not on display

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Images

Label texts

Shifting Terrain: Korean Paintings from the Spencer Museum of Art Collection, 1800–2012
Like many aspiring artists in Japanese-occupied Korea, Kim In-seung studied art in Japan where he was introduced to academic traditions that emphasized modeling, meticulous observation, and realistic depictions. Following the end of Japanese imperial rule and Korean independence in 1945, Kim suffered harsh criticism for participating in pro-Japanese art organizations and exhibitions. After a teaching career at Ewha University, Kim moved to New York in 1974, where he earned a reputation as “the rose painter.”
Shifting Terrain: Korean Paintings from the Spencer Museum of Art Collection, 1800–2012
Like many aspiring artists in Japanese-occupied Korea, Kim In-seung studied art in Japan where he was introduced to academic traditions that emphasized modeling, meticulous observation, and realistic depictions. Following the end of Japanese imperial rule and Korean independence in 1945, Kim suffered harsh criticism for participating in pro-Japanese art organizations and exhibitions. After a teaching career at Ewha University, Kim moved to New York in 1974, where he earned a reputation as “the rose painter.”

Exhibitions