Brosseau Center for Learning: Japanese Art

Exhibition

Exhibition Overview

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Brosseau Center for Learning: Japanese Art
Michael VanHartingsveldt, curator
Sherry Fowler, curator
Kate Meyer, curator
Gallery 318, The Jack and Lavon Brosseau Center for Learning, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Japanese art from the collection selected for Michael VanHartingsveldt’s HA 367 Art and Culture of Japan and Sherry Fowler’s HA 587 Japanese Sculpture.

Works of art

netsuke
netsuke
mid 1800s, Edo period (1600–1868)
Katsushika Hokusai (1760–1849), 尾州不二見原 Bishu Fujimihara (Fuji Seen Through a Barrel)
尾州不二見原 Bishu Fujimihara (Fuji Seen Through a Barrel)
Katsushika Hokusai
early 1830s, Edo period (1600–1868)
Hyakuman-tō (three-tiered pagoda)
Hyakuman-tō (three-tiered pagoda)
1700s or 1800s, Edo period (1600–1868)
上絵付鉢 uwae hachi (polychrome enamel bowl)
上絵付鉢 uwae hachi (polychrome enamel bowl)
1700s, Edo period (1600–1868)
head of a monk
head of a monk
1800s, Edo Period (1600–1868)
zushi (portable shrine) containing Aizen Myōō
zushi (portable shrine) containing Aizen Myōō
Meiji period (1868–1912)
Adachi Ginkō (active 1874–1897); 佐々木豊吉 Toyokichi Sasaki, Kijō saihō no zu (Picture of Noble Ladies Sewing)
Kijō saihō no zu (Picture of Noble Ladies Sewing)
Adachi Ginkō, 佐々木豊吉 Toyokichi Sasaki
1887, Meiji period (1868–1912)
春光 Harumitsu (active 1860–1880), 置物 okimono of eagle and monkey
置物 okimono of eagle and monkey
春光 Harumitsu
1880s, Meiji period (1868–1912)
Gōshō Mandara (Mandala of Amitābha’s Welcoming Descent)
Gōshō Mandara (Mandala of Amitābha’s Welcoming Descent)
possibly 1800s, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha
Mitsukuni Defying the Skeleton Spectre Invoked by Princess Takiyasha
Utagawa Kuniyoshi
circa 1844, Edo period (1600–1868)
友嘉齋 Yukasai (active Meiji period (1868–1912)), 茶入 chaire (tea caddy with maple leaves)
茶入 chaire (tea caddy with maple leaves)
友嘉齋 Yukasai
1890s, Meiji period (1868–1912)
Sculptor at Work (after Mitsuoki Tosa scroll)
Sculptor at Work (after Mitsuoki Tosa scroll)
1923–1926
半支迦 Hanshika (Pāñcika)
半支迦 Hanshika (Pāñcika)
1700s or 1800s, Edo period (1600–1868)