Conversation VII: Utopia/Dystopia

Exhibition

Exhibition Overview

Image not available
Conversation VII: Utopia/Dystopia
Olena Chervonik, curator
20/21 Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Works of art

Murray Alcosser (1937–1991), Chromed Motorcycle Engine
Murray Alcosser (1937–1991)
1970
Alex Ebel (1923–2013), N.Y. to Frisco: Minutes by Rocket
Alex Ebel (1923–2013)
circa 1953
Brian Sanderson, Triangulatur
Brian Sanderson
1988
Jennifer Vogh, Ideal Realities
Jennifer Vogh
1988
Joseph Masheck (born 1942), Preliminary Proposal for US Babel-Tower
Joseph Masheck (born 1942)
circa 1980
Michael Sorkin (born 1948), Communism Comes to the Coast
Michael Sorkin (born 1948)
circa 1980
Sandow Birk (born 1962), The Bombardment of the Getty Center
Sandow Birk (born 1962)
2000

Events

February 18, 2010
Talk
6:00–7:00PM
Gallery 317 Central Court

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 210 Mar-2010, Olena Chervonik, Director's Intern I’m David Cateforis with another Art Minute from the Spencer Museum of Art. A current Spencer exhibition, Utopia/Dystopia, brings together works by artists who investigate dimensions of utopian and dystopian thinking in various spheres of modern life. Many of us strive for perfection. We try to better ourselves and the world around us. Whether through educating ourselves, advocating for social causes or simply exercising and eating right, we engage in activities driven by our belief in progress and our desire for improvement. But will we ever arrive at a perfect place? Does such a place exist? The word “utopia” denotes a perfect political, economic, religious, or scientific community. However, the concept is double sided. It may signify an unattainable ideal, thus reflecting the centuries-old anxiety about the improbability of attaining a state of perfection. Featuring some forty works drawn from the Spencer’s permanent collection, the exhibition invites the viewer to contemplate various signs of utopianism, intermingled with dystopian and apocalyptic imagery as a counterweight to utopian enthusiasm. With thanks to Olena Chervonik for her text, from the Spencer Museum of Art, I’m David Cateforis.