The Bonham Project (torso side views), Jon O'Neal

Artwork Overview

born 1957
The Bonham Project (torso side views), 1989
Where object was made: United States
Material/technique: gelatin silver print
Dimensions:
Image Dimensions Height/Width (Height x Width): 381 x 229 mm
Image Dimensions Height/Width (Height x Width): 15 x 9 1/2 in
Mat Dimensions (Height x Width): 20 x 16 in
Credit line: Gift of the artist
Accession number: 1991.0161
Not on display

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Images

Label texts

Healing, Knowing, Seeing the Body
As a physician and photographer, Dr. Jon O’Neal was tasked with studying the bodies of HIV-positive individuals as part of one of the U.S. military’s first systematic studies of AIDS. O’Neal became fascinated with understanding how a supposedly ill body—one infected with HIV—could show no obvious external signs of disease. His photographs were taken in a makeshift studio set up in The Bonham Exchange, a nightclub in 1980s San Antonio, Texas. O’Neal’s anonymized, disembodied images encourage us to consider how seeing bodies can at once feel intimate—even voyeuristic—and impersonal.
Healing, Knowing, Seeing the Body
As a physician and photographer, Dr. Jon O’Neal was tasked with studying the bodies of HIV-positive individuals as part of one of the U.S. military’s first systematic studies of AIDS. O’Neal became fascinated with understanding how a supposedly ill body—one infected with HIV—could show no obvious external signs of disease. His photographs were taken in a makeshift studio set up in The Bonham Exchange, a nightclub in 1980s San Antonio, Texas. O’Neal’s anonymized, disembodied images encourage us to consider how seeing bodies can at once feel intimate—even voyeuristic—and impersonal.
Exhibition Label: "Contemporary Photographs: Rethinking the Genres," Oct-2000, Rachel Epp Buller As both a photographer and a physician, O’Neal approaches the male nude from a scientific rather than strictly aesthetic viewpoint. O’Neal began The Bonham Project in 1985 when he was a medical intern participating in one of the military’s first rounds of systematic tests for the AIDS virus. The men O’Neal examined were HIV positive but bore no outward signs of the disease. His scientific display of torsos, as well as his exclusive focus on the male rather than female body, positions his work as unusual within the artistic genre of the nude.

Exhibitions

Cassandra Mesick Braun, curator
2021
Amanda Martin-Hamon, curator
2000