Skull Teapot, Variation #17, Richard Notkin

Artwork Overview

born 1948
Skull Teapot, Variation #17, 1991
Where object was made: United States
Material/technique: stoneware
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 18.5 x 12 x 7.5 cm
Object Height/Width/Depth (Height x Width x Depth): 7 5/16 x 4 3/4 x 2 15/16 in
Credit line: Museum purchase: Peter T. Bohan Art Acquisition Fund
Accession number: 1993.0033
On display: Stewart Gallery

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Images

Label texts

Intersections
Richard Notkin serves anti-war messages from his teapots, explaining “I use the teapot metaphorically…I’m more interested in conveying ideas than tea.” Notkin grew up in the aftermath of World War II and the Holocaust and was a student at the Kansas City Art Institute during the Vietnam War. Steeped in those events, he creates teapots with haunting symbols that warn of the horrors of war: a mushroom cloud, skull, and teetering stacks of dice.
Intersections
Richard Notkin serves anti-war messages from his teapots, explaining “I use the teapot metaphorically…I’m more interested in conveying ideas than tea.” Notkin grew up in the aftermath of World War II and the Holocaust and was a student at the Kansas City Art Institute during the Vietnam War. Steeped in those events, he creates teapots with haunting symbols that warn of the horrors of war: a mushroom cloud, skull, and teetering stacks of dice.
Archive Label 2001: This unglazed stoneware teapot updates a venerated tradition of tea-brewing wares. Made by contemporary ceramicist and Kansas City Art Institute graduate Richard Notkin, it combines 500-year-old Chinese Yixing pottery techniques with a powerful anti-war message. The lid handle is a mushroom cloud, and the dice suggest the chance of nuclear war.

Exhibitions

Cassandra Mesick Braun, curator
2022–2027
Mary Dusenbury, curator
Susan Earle, curator
2002
Susan Earle, curator
1996–1997

Resources

Video

Listen to Richard Notkin speak about his art as political protest.

Audio

Citations

Spencer Museum of Art, The University of Kansas. The Register of the Spencer Museum of Art, 1995 & 1996 7, no. 1-2 (1998):