Salute: On a Tar Roof, Grace Hartigan

Artwork Overview

Grace Hartigan, Salute: On a Tar Roof
Grace Hartigan, Salute: On a Tar Roof
Grace Hartigan
Salute: On a Tar Roof
1961
Grace Hartigan
1922–2008
Salute: On a Tar Roof, 1961
Where object was made: United States
Material/technique: wove paper; screen print
Dimensions:
Image Dimensions Height/Width (Height x Width): 436 x 357 mm
Sheet/Paper Dimensions (Height x Width): 460 x 365 mm
Image Dimensions Height/Width (Height x Width): 17 3/16 x 14 1/16 in
Sheet/Paper Dimensions (Height x Width): 18 1/8 x 14 3/8 in
Mat Dimensions (Height x Width): 25 x 20 in
Credit line: Museum purchase: R. Charles and Mary Margaret Clevenger Fund
Accession number: 1994.0038.03
Not on display
Add to portfolio

If you wish to reproduce this image, please submit an image request

Images

Label texts

Exhibition Label: “Make a Mark: Art of the 1960s,” Mar-2008, Lara Kuykendall Take an object. Do something to it. Do something else to it. Take a canvas. Put a mark on it. Put another mark on it. Jasper Johns. “Sketchbook Notes,” 1965 In the 1960s artists from the United States and beyond strove to “make a mark” on the art world and the culture at large by exploring the nature of creativity. Each of the three themes in this exhibition, color + form, gesture + splatter, and layer upon layer, shows how vivid and dynamic the art of this decade was. Some artists used color and geometric shapes abstractly, often to foster unusual optical effects, whereas others employed the personal, autographic gesture of expressionism. Still other artists exploited various methods of layering to create new kinds of collage. By doing something to an object or putting marks on a surface, artists in the 1960s responded to the realms of art, politics, and popular culture. The objects and images they made defined the visual culture of their generation.