untitled (young plants, frontispiece), William Sharp; John Fisk Allen

Artwork Overview

1803–1875
1785–1865
untitled (young plants, frontispiece), 1854
Portfolio/Series title: Victoria Regia or The Great Water Lily of America with a Brief Account of its Discovery and Introduction into Cultivation
Where object was made: United States
Material/technique: chromolithograph
Dimensions:
Image Dimensions Height/Width (Height x Width): 385 x 532 mm
Image Dimensions Height/Width (Height x Width): 15 3/16 x 20 15/16 in
Sheet/Paper Dimensions (Height x Width): 548 x 690 mm
Sheet/Paper Dimensions (Height x Width): 21 9/16 x 27 3/16 in
Mat Dimensions (Height x Width): 24 x 32 in
Credit line: Gift of Hirschl & Adler Galleries, Inc., New York
Accession number: 1999.0213.04
Not on display

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Images

Label texts

Archive Label 2003: These bold and enormous color lithographs tell of the blossoming of the largest water lily in the world. The case directly in front of them contains the elephant-size folio cover and the letterpress narrative (also gifts to the museum by Hirschl & Adler Galleries) published with the lithographs in Boston, Massachusetts. William Sharp, credited with introducing color lithography in the United States, masterfully executed the lithographs here. John Fisk Allen, the amateur botanist who owned the depicted Victoria Regia, prepared the text to accompany Sharp’s lithographs. Incorporated in that text is an historical account by Sir Joseph Paxton prepared for a memoir of the lily by Sir W. J. Hooker, published in London in 1851. The following rich description from that memoir appears at page 13 of Allen’s text: “On Thursday afternoon, at 4 o’clock, two of the outer flower leaves (calyx) sprung off with great force, and in three fourths of an hour from this time, the regal beauty of the waters had displayed its first stage of glory! As each broad petal unfurled itself, it fell partly backwards, until three distinct rows formed a cup of rare elegance and of apparently the whitest purity. The still air of the greenhouse was now filled with its rich perfume, as if it were some conscious Beneficence silently blessing all in its august presence. This chaste cup of ivory-like color was set off by the yet unfolded interior flower leaves (petals), betraying a few streaks of carmine tints, whose splendor was yet to be revealed.” Sharp’s Plate 4 (first lithograph to the left in the second row) provides beautiful visual information for this description by Hooker of the intermediate stages of bloom.

Resources

Video

WATCH a time lapse video of an Amazonian water lily blooming