Anorexia Girl, Jenny Schmid

Artwork Overview

Jenny Schmid, artist
born 1969
Anorexia Girl, 2003
Where object was made: United States
Material/technique: Rives BFK™ paper; color lithograph
Dimensions:
Image Dimensions Height/Width (Height x Width): 557 x 763 mm
Sheet/Paper Dimensions (Height x Width): 557 x 763 mm
Mat Dimensions (Height x Width): 30 x 36 in
Credit line: Museum purchase: Gift of Colette and Jeff Bangert
Accession number: 2005.0055
Not on display

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Images

Label texts

Brosseau Center for Learning: Disability Visibility: In Conversation with the 2022–2023 KU Common Book

Schmid’s Anorexia Girl confronts the intersection of mental and physical health for those struggling with disordered eating. Eating disorders are one of the most common mental health disabilities among college students.

Healing, Knowing, Seeing the Body

The disproportionately large head of the character in this print reflects the importance artist Jenny Schmid places on the psychological dimensions of the image. Here, the central figure’s hollow eyes, sunken cheekbones, and visible ribs suggest that she struggles with anorexia nervosa, a serious eating disorder. Other details highlight the unrelenting and intrusive thoughts the girl has around body image, weight, and food: ghostly skeletons tantalize and mock her, offering calorie-laden cake and holding a mirror that reflects the girl’s distorted self-perception. She sips from a cup emblazoned with the word “diet” to wash down pills that promise to make her “thin” and “thinner.” In the lower right, a grieving version of the girl clutches her own casket. Schmid’s work provides a devastating look at the intersection of mental and physical health for those struggling with disordered eating.

Healing, Knowing, Seeing the Body

The disproportionately large head of the character in this print reflects the importance artist Jenny Schmid places on the psychological dimensions of the image. Here, the central figure’s hollow eyes, sunken cheekbones, and visible ribs suggest that she struggles with anorexia nervosa, a serious eating disorder. Other details highlight the unrelenting and intrusive thoughts the girl has around body image, weight, and food: ghostly skeletons tantalize and mock her, offering calorie-laden cake and holding a mirror that reflects the girl’s distorted self-perception. She sips from a cup emblazoned with the word “diet” to wash down pills that promise to make her “thin” and “thinner.” In the lower right, a grieving version of the girl clutches her own casket. Schmid’s work provides a devastating look at the intersection of mental and physical health for those struggling with disordered eating.

Exhibition Label:
“Embodiment,” Nov-2005, Kate Meyer
Jenny Schmid explains “when the psychology is important I make the heads of my figures really big.” The psychology of Anorexia Girl is clearly important. She reclines like an odalisque, and her fight with her demons is aptly summed up by the artist’s pun “die / t,” that appears on one of the historical vignettes that populates this dense image. The vignette is derived from one of Hans Holbein the Younger’s sixteenth-century woodcuts on the theme of the Dance of Death.

Exhibitions