Two Grey Hills rug, Julia Jumbo

Artwork Overview

Julia Jumbo, Two Grey Hills rug
Julia Jumbo
circa 1959
Two Grey Hills rug, circa 1959
Where object was made: New Mexico, United States
Material/technique: wool yarn; dyeing; weaving
Dimensions:
Object Length/Width (Length x Width): 144.5 x 96 cm
Object Length/Width (Length x Width): 37 13/16 x 56 7/8 in
Credit line: Gift of David and Jean Francisco
Accession number: 2007.2766
Not on display

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Label texts

Exhibition Label: "Roots and Journeys: Encountering Global Arts and Cultures," Jul-2011, Nancy Mahaney Julia Jumbo was one of the master weavers of the Two Grey Hills Two Grey Hills region of New Mexico. Beginning in the early 1900s weavers from this region began working with the long staple churro wool which allowed them to spin their yarns very thin. By weaving their thinly spun yarns very tightly they are able to achieve as muchas 90-120 warps per inch. Staying true to the natural palate produced by the variations in the sheep’s own colorations, they sometimes spin two colors together to create subtle variations on a color. Many weavers from the Two Grey Hills area still spin their own yarn in preparation for weaving their rugs. The border design on this Navajo rug was partially influenced by reservation traders.

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 248 Jan-2012, Patrick Musick I’m David Cateforis with another Art Minute from the Spencer Museum of Art. A rug woven around 1960 by the New Mexican Navajo Julia Jumbo features an intricate and symmetrical geometric design, created without the use of a pattern. Jumbo’s weaving beautifully displays the Two Gray Hills regional style, in which the muted browns, grays, and whites all derive from the natural colors of the sheep’s fleece. Generally, the modern Navajo employ commercially produced yarns, but there exist highly prized weavings that use home-grown wool and natural dyes. Formed on a loom, Jumbo’s weaving has no loose ends, fringe, or any weak points on its closed edges, known as selvages. Thus it would wear very well if actually used. The Navajo believe that the gift of weaving was brought to them by the Spider Woman. Navajo weaving is documented as early as 1650 but few examples survive from before the 19th century, which saw the production of the chief’s blankets highly prized by collectors. The Navajo only began weaving extensively for sale to the public at the turn of the 20th century, encouraged to do so by the Indian agents on the reservation. With thanks to Patrick Musick for his text, from the Spencer Museum of Art, I’m David Cateforis.