headdress, unrecorded Ejagham artist

Artwork Overview

unrecorded Ejagham artist, headdress
unrecorded Ejagham artist
circa 1950
headdress, circa 1950
Where object was made: Cameroon
Material/technique: possibly antelope skin; wood; weaving; plant fiber
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 28 x 12.5 x 11 cm
Object Height/Width/Depth (Height x Width x Depth): 11 1/2 x 4 15/16 x 4 5/16 in
Credit line: Gift of Larry W. Welling
Accession number: 2007.3099
Not on display

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Images

Label texts

Exhibition Label:
"For Life's Sake: Arts from Africa," Oct-1983, Reinhild Kauenhoven Janzen
The practice of covering a carved mask with skin is unique to the peoples of the Cross River area of Nigeria and the Cameroons. Skin, probably from a freshly killed antelope, is drawn taut over the carved wooden core. Teeth are fashioned from separately carved, inserted and painted pieces of wood, eyes are inlaid and painted and human hair is used to cover the head. This realistic head is then attached to a basketry base, which in turn is fastened to the top of the performer's head. This cap-crest-mask is worn with a gown which extends from the top of the dancer's head to his ankles. Such masks are owned by a special association and danced at celebrations and rituals such as initiations and funerals. They represent either benevolent, important community ancestors or fierce spirits.

Exhibitions

Reinhild Kauenhoven Janzen, curator
1983