Structure of Thought 15, Doug Starn; Mike Starn

Artwork Overview

born 1961
born 1961
Structure of Thought 15, 2001–2005
Where object was made: United States
Material/technique: Gampi paper; Thai mulberry paper; encaustic; varnish; tissue paper; inkjet print; wax
Dimensions:
Frame Dimensions (Height x Width x Depth): 70 x 82 in
Image Dimensions Height/Width (Height x Width): 1524 x 1828.8 mm
Image Dimensions Height/Width (Height x Width): 60 x 72 in
Credit line: Museum purchase: Helen Foresman Spencer Art Acquisition Fund
Accession number: 2008.0313
Not on display

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Images

Label texts

Exhibition Label: "Trees & Other Ramifications: Branches in Nature & Culture," Mar-2009, Steve Goddard A large body of work by Mike and Doug Starn, The Absorption of Light, includes four groupings: Black Pulse (images of the vascular structure of leaves); Attracted To Light (primarily macroscopic views of moths); Structure of Thought (images of neurons and silhouetted trees); and Toshodaiji (images of the historical Buddhist figures Gyoki and Ganjin). An understanding of The Absorption of Light depends on our willingness to accept leaves, moths, trees, and spiritual figures as seekers of light, be it physical light, spiritual light, or light as idea and thought. In a conversation published in Nomenus Quarterly, the artists (speakers “one” and “two”) explain: Speaker One: [...] Again, it’s a body made of black, and going back to the classical metaphor of light as information, thought and knowledge. That’s a large part of this work, but really, what happens for us, the reason we call it Structure of Thought is we feel that… Speaker Two: …when you photograph the tree in silhouette, the tree-well… Speaker One: …the hierarchical structure of each branch leading to a smaller branch, leading to a smaller branch, all of that is collapsed, and you get connections that happen everywhere, which is what we feel the brain is like. The structure of thought, your connections can lead you anywhere, and again, that black being the absorption of light. The tree photographed by the Starns for Structure of Thought 15 is a Camperdown Elm (Ulmus glabra ‘Camperdownii’) in Prospect Park, Brooklyn, New York. This tree was immortalized by the distinguished American poet Marianne Moore in a 1967 poem published in The New Yorker; her poem, “The Camperdown Elm,” was a call to care for the aging and ailing tree, which was menaced at the time by Dutch Elm Disease. Moore wrote, “It is still there, still leafing, Mortal though.”

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 180 Mar-2009, Ellen Raimond I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Depicting the dark, tangled web of an elm tree’s bare branches, Structure of Thought 15 is a large black-and-white photographic work by the identical twins and Brooklyn-based collaborative artists, Mike and Doug Starn. Completed in 2005 and part of a larger series of silhouetted trees, Structure of Thought 15 conveys the Starns’ interest in drawing parallels between the plant world and the human body. In this case, the tree’s structure resembles the microscopic nerve endings of neurons in the brain. The branches’ division and subdivision into increasingly smaller systems is echoed by the artists’ organization of the composition into increasingly smaller units. They first separate the main image into three vertical panels that they then further segment into a grid of rectangular blocks built of layer upon layer of tissue thin papers. The silhouetted tree symbolizes, in the Starns’ words, “the layers and layers of sensory input, memories, emotion, imagination, and ideas.” With thanks to Ellen Raimond for her text, from the Spencer Museum of Art, I’m David Cateforis