Septemberschrei. Hymnen / Gebete / Lästerungen. Mit vierzehn Steindrucken (September-scream. Hymns / Prayers / Calumnies. With Fourteen Lithographs), Ludwig Meidner

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Ludwig Meidner, Septemberschrei. Hymnen / Gebete / Lästerungen. Mit vierzehn Steindrucken (September-scream. Hymns / Prayers / Calumnies. With Fourteen Lithographs)
Ludwig Meidner, Septemberschrei. Hymnen / Gebete / Lästerungen. Mit vierzehn Steindrucken (September-scream. Hymns / Prayers / Calumnies. With Fourteen Lithographs)
Ludwig Meidner
Septemberschrei. Hymnen / Gebete / Lästerungen. Mit vierzehn Steindrucken (September-scream. Hymns / Prayers / Calumnies. With Fourteen Lithographs)
1920
Ludwig Meidner
1884–1966
Septemberschrei. Hymnen / Gebete / Lästerungen. Mit vierzehn Steindrucken (September-scream. Hymns / Prayers / Calumnies. With Fourteen Lithographs), 1920
Where object was made: Berlin, Germany
Material/technique: lithograph; letterpress
Credit line: Anonymous gift
Accession number: 2010.0007
Not on display
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Exhibition Label: "Machine in a Void: World War I & the Graphic Arts," Mar-2010, Steve Goddard German Expressionist artist and writer Ludwig Meidner is best known for his "apocalyptic landscapes" created just before and during the War. Drafted into the army in 1916, September-Cry is Meidner's response the cataclysmic experience of war. It was written and drawn in 1917 and published in 1920. On page 21 of September-Cry Meidner writes, "This place looks like my pictures. The unexpected, the Last Judgment begins in vast space, shatters in the tumult of verticals ... You shudder and run away from your painful visions." Meidner also produced Krieg (War), a powerful portfolio of anti-war images that was published in 1923, with most of the drawings having been done in 1914.