Would scarcely know that we were gone, Christopher T. Creyts; Matthew Day Jackson; Collaborative Art Editions

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Christopher T. Creyts; Matthew Day Jackson; Collaborative Art Editions, Would scarcely know that we were gone
Christopher T. Creyts; Matthew Day Jackson; Collaborative Art Editions, Would scarcely know that we were gone
Matthew Day Jackson , Christopher T. Creyts
Would scarcely know that we were gone
2015–2016
Matthew Day Jackson, artist
born 1974
Christopher T. Creyts, printer
Would scarcely know that we were gone, 2015–2016
Portfolio/Series title: There Will Come Soft Rains
Where object was made: United States
Material/technique: color intaglio
Dimensions:
Image Dimensions Height/Width (Height x Width): 490 x 331 mm
Image Dimensions Height/Width (Height x Width): 19 5/16 x 13 1/16 in
Sheet/Paper Dimensions (Height x Width): 686 x 521 mm
Sheet/Paper Dimensions (Height x Width): 27 1/2 x 20 1/2 in
Plate Mark/Block Dimensions (Height x Width): 494 x 334 mm
Plate Mark/Block Dimensions (Height x Width): 19 7/16 x 13 1/8 in
Credit line: Museum purchase: Peter T. Bohan Art Acquisition Fund
Accession number: 2016.0024.13
Not on display
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Listen to a curator talk about this work.
The last universally accepted sighting of the ivory-billed woodpecker was in 1944, and yet many birdwatchers and scientists have reported spotting but not conclusively photographing Audubon’s favorite bird since then. Call me a foolish optimist, but I want to believe there might be a few elusive ivory-billed woodpeckers left in the forested swamps of the American South. Don’t you?

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See the original art by John James Audubon referenced in this print.