Moss (Muscinae)

Ernst Haeckel, artist

1834–1919

Moss (Muscinae), 1904

Portfolio/Series title: Kunstformen der Natur (Art forms in Nature)

Where object was made: Germany

Material/technique: chromolithograph; lithograph

Dimensions:
Image Dimensions Height/Width (Height x Width): a 280 x 201 mm
Image Dimensions Height/Width (Height x Width): 11 x 7 15/16 in
Sheet/Paper Dimensions (Height x Width): a 347 x 259 mm
Sheet/Paper Dimensions (Height x Width): 13 11/16 x 10 3/16 in
Image Dimensions Height/Width (Height x Width): b 280 x 200 mm
Image Dimensions Height/Width (Height x Width): 11 x 7 7/8 in
Sheet/Paper Dimensions (Height x Width): b 364 x 274 mm
Sheet/Paper Dimensions (Height x Width): 14 5/16 x 10 13/16 in
Mat Dimensions (Height x Width): 19 x 14 in

Credit line: Anonymous gift

Accession number: 2017.0053.01.a,b

Not on display

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Scientist and artist Ernst Haeckel was one of Charles Darwin’s most outspoken supporters. Haeckel rendered natural forms in a style that exaggerated symmetry and the underlying geometrical structure of plant forms. The chromolithographs illustrating his Kunstformen der Natur (Art forms in Nature) have influenced generations of artists. Haeckel coined the appealing but false tenet that states “ontogeny recapitulates phylogeny,” or the idea that the cellular development of an organism summarizes the organism’s evolution. Through his artwork, he suggested the perfectibility of biological organisms, which has implicated him as an early formulator of eugenics.

These are the only three plates in Kunstformen der Natur that deal specifically with plant forms, with much of the volume illustrating invertebrates. The 100 plates of Kunstformen der Natur had a major impact on the decorative arts as well as the later years of the Art Nouveau movement.