Quilts: A Thread of Modernism

Exhibition

Exhibition Overview

Quilts: A Thread of Modernism
Quilts: A Thread of Modernism
Barbara Brackman, curator
Debra Thimmesch, curator
Gallery 404, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Quilts, a traditional American folk art, are an ideal blend of function and decoration. In the past thirty years they've come off the bed and onto gallery walls. Quilts are popularly viewed as art today because the twentieth-century trend toward modernism has encouraged us to appreciate many of their design characteristics, their flat planes, bright colors and abstracted forms. Modernists have looked to folk arts such as quilts for inspiration, but modernism also changed the way quilts look. Quilts: A Thread of Modernism looks at a dozen quilts from Spencer's collection within the context of the modern movement.

Some quilters reflected and others reacted to the influence of European ideas such as the Arts and Crafts movement and the Wiener Werkstatte. Several added a narrative thread giving either symbolic meaning to traditional abstractions or literal meaning with words appliquéd to the surface or written on the reverse. New dyes, colors and fabric print styles reflected new taste in interior design and clothing fashion. Among the quilts exhibited will be two by Rose Kretsinger of Emporia, who achieved a national reputation by incorporating Art Nouveau's sinuous line into traditional floral appliqué.

Organized by Barbara Brackman, Spencer honorary curator of quilts, who was assisted by Debra Thimmesch, curatorial intern in European and American art.

Exhibition images

Works of art

Anna Marie Espenlaub (1879–1963), Grandmother's Dream quilt
Anna Marie Espenlaub (1879–1963)
circa 1925–1950
Emma Wittwer Edie (1872–1950), Postage Stamp quilt
Emma Wittwer Edie (1872–1950)
early 1940s
Belleek Pottery Works Company Ltd (founded 1884), teapot with lid
Belleek Pottery Works Company Ltd (founded 1884)
circa 1890
Tiffany & Company (founded 1837), desk clock
Tiffany & Company (founded 1837)
circa 1930
Jutta Sika (1877–1964); Wiener Porzellan - Manufaktur Josef Böck (active 1828–1960), demitasse cup and saucer
Jutta Sika (1877–1964); Wiener Porzellan - Manufaktur Josef Böck (active 1828–1960)
1901
The Van Briggle Art Pottery (active 1901–2012), vase
The Van Briggle Art Pottery (active 1901–2012)
1919
Irene Bishop (1880–1925); Rookwood Pottery (active 1880–1967), vase
Irene Bishop (1880–1925); Rookwood Pottery (active 1880–1967)
1907
Elizabeth Neave (Lingenfelter) Lincoln (1876–1957); Rookwood Pottery (active 1880–1967), tulip vase
Elizabeth Neave (Lingenfelter) Lincoln (1876–1957); Rookwood Pottery (active 1880–1967)
1900
Emma B. Roessler, Autumn Leaf quilt
Emma B. Roessler
circa 1933–1940

Events

August 25, 2005
Talk
5:30–6:30PM
Gallery 404

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 39 Fall-2005, Barbara Brackman I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Quilts, a traditional American folk art, perfectly blend function and decoration. In the past thirty years they've come off the bed and onto gallery walls. We view quilts as art today because the twentieth-century trend to modernism has encouraged us to appreciate many of their design characteristics, such as flat planes, bright colors and abstracted forms. Modernists have looked to folk arts such as quilts for inspiration, but modernism also changed the way quilts look. New dyes, colors and fabric print styles reflected new tastes in interior design and clothing fashion. Some American quilters reacted to the influence of European forms such as the simple shapes and spaces of the Arts and Crafts movement, the sinuous lines of Art Nouveau and the geometric patterning of the Vienna crafts workshop known as the Wiener Werkstatte. Through October 30 in the North Balcony Gallery, the Spencer is displaying a dozen American quilts, together with related decorative objects from the collection that illustrate the interplay between fine art and folk art so characteristic of the twentieth century. With thanks to Barbara Brackman for her text, from the Spencer Museum of Art, I’m David Cateforis.

Documents