ten-panel Coromandel screen, unknown maker from China

Artwork Overview

ten-panel Coromandel screen
1800s, Qing dynasty, 1644–1911
ten-panel Coromandel screen , 1800s, Qing dynasty, 1644–1911
Where object was made: China
Material/technique: lacquer; wood
Dimensions:
Object Height/Width (Height x Width): each panel 284.5 x 48.3 cm
Object Height/Width (Height x Width): 112 1/2 x 19 1/2 in
Credit line: Gift of Mr. and Mrs. Charles (Buddy) Rogers
Accession number: 1977.0097
Not on display

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Images

Label texts

Empire of Things
This Chinese folding screen embodies the history of global trade in the early modern world. Known as “Coromandel,” screens such as these were named for a port on the southeast coast of India and transported along a maritime trade route that linked Asia with Europe. Demand for Coromandel screens emerged in 17th-century Europe along with the popularity of decorative styles such as chinoiserie, characterized by the appropriation of Chinese motifs into Western decorative art. The demand continued to grow well into the 19th century. Beginning with a procession on the left, the screen depicts a large group that has gathered for a festive celebration. Guests are engaged in activities such as dancing, playing chess, and making music. The screen is adorned with many auspicious symbols—mythic beasts along the bottom, antiques along the top, and dragons along the sides. At one time, this would have been used for a birthday celebration in China. However, in the West, these screens lost their original meanings. Disregarding their content, contemporary owners cut and reshaped them to decorate walls and embellish other furniture. Although the European consumption of Coromandel screens indicates a profound interest in life beyond their own continent, these screens were adapted to suit the vocabulary of western interior design, and it was through this vocabulary that western audiences used and appreciated them.
Exhibition Label: Asian Gallery, Summer 2003, Youmi Efurd Coromandel screens are made of wooden panels covered with carved Chinese lacquer. The lacquer surface is carved away, exposing a substratum of white gesso, which is painted to make a design. The name ‘Coromandel’ derives from the trade route along the south Indian coast, from where similar screens were shipped to Europe in the seventeenth century. The screen on left depicts a scene of daily life in the yamen or city hall of a district magistrate. In the center, the magistrate is seated on a high chair flanked by two servants holding fans. Garden rocks and other buildings surround the main hall. Ceremonial vessels and mythical animals frame the top and bottom of the screen. The screen on the right shows an inner court or ladies’ court. The figures are engaged in various activities in gardens and small pavilions. Flowers and figures frame the top and bottom of the screen.

Exhibitions

Kris Ercums, curator
Kate Meyer, curator
2016–2021
Kris Ercums, curator
Kate Meyer, curator
2013–2015

Citations

Ercums, Kris Imants. "Contentment: A Lavishh Birthhday Banquet for General Guo Ziyi." In Perspectives on a Legacy Collection: Sallie Casey Thayer’s Gift to the University of Kansas (2020): 198–211.