untitled

untitled, circa 1990s, Heisei period (1989–present)

Where object was made: Japan

Material/technique: glaze; stoneware

Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 31.8 x 24.1 x 20.3 cm
Object Height/Width/Depth (Height x Width x Depth): 12 1/2 x 9 1/2 x 8 0.99213 in

Credit line: Museum purchase: Spencer Museum Challenge Fund

Accession number: 1998.0014

Not on display

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Label texts

Exhibition Label:
“Textures of Interpretation: Meaning and Materiality in Global Contemporary Art," Jan-2010, Sooa Im
This metamorphic vase is composed of large sheets of flattened clay that were shaped over molds. Takiguchi Kazuo further defines the vessel by pushing the form outward from the inside and flattening the exterior. This effect is further refined by the way he cuts, joins and/ or removes segments of clay. The most striking aspect of the work lies in the way that Takiguchi links the interior spaces of the work with the exterior environment by creating sliced entry. The somber, matte finish of the glazed surface further reflects Takiguchi’s delicate interplay of light and shadow, interior and exterior, hidden and seen.

Exhibition Label:
"Contemporary Ceramics East and West," Feb-2002, Susan Earle, Mary M. Dusenbury
Kyoto-based potter Takiguchi creates his forms by draping large sheets of flattened clay over molds. He then further defines the form by pushing outward from the inside, flattening from the exterior, and cutting and joining or removing segments of clay. The most striking aspect of his work lies in linking the interior spaces of his pieces with the outer environment. The vertical slit (or natural irruption) provides a visual and psychological entrance into the inner world of the sculpture. The play of light and shadow are emphasized by the somber, matte finish of the glaze.