Selections for the Summer

Exhibition

Exhibition Overview

Selections for the Summer
Selections for the Summer
Asia Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Guest curator Mary Dusenbury has selected from the Spencer’s collection a variety of paintings, prints and ceramics for the Asia Gallery, each small group with its own theme.

•Mountain Retreats
Two artists have brushed paintings that address the idea of retreating into nature for refreshment, contemplation and inspiration. On the opening wall, Shukuya Aoki invites us to join a fourth-century group of scholars who have gathered somewhere deep in the mountains. The shared wine and mountain setting induce a rarified state of mind in which to compose poetry. On the east wall, Okuhara Seiko, who scandalized and intrigued her contemporaries, has brushed a poem and painting of her own small mountain retreat.

•Earth, Wind & Fire
Ancient and contemporary potters alike experiment with earth, air and fire to explore form – whether for a functional purpose or not – and the transformations that occur within the kiln.

•Flora & Fauna
Okuhara Seiko, Yamada Kōun and Zhao Shao’ang have created vignettes of the flora and fauna that surround us. Their vision helps us to see our own surroundings with more clarity.

•Journeys
Two artists address the idea of a journey. The 17th-century courtier Karasumaru Mitsuhiro’s brushed poems and paintings illustrating a journey between Kyoto and Edo (Tokyo) are in the scroll case on the back wall. On the opposite wall Tanaka Ryōhei’s etchings of an empty road disappearing around a curve in the trees or between thatched-roof houses invite us on an imaginary journey deep into the countryside.
•Social & Political Upheaval
Four artists view China from 1941 to the end of the century. Their varied responses to that tumultuous period are on the southwest wall of the gallery.

We hope you enjoy the exhibition and leave refreshed and with a renewed sensitivity to – and pleasure in – the world around us.

Works of art

Morishita Ryōzō (born 1947), A Weir
Morishita Ryōzō (born 1947)
2000
Miyashita Zenji (born 1939), vase
Miyashita Zenji (born 1939)
circa 1980s, Showa period (1926–1989)
Okuhara Seiko (1837–1913), Geese and Autumn Grasses
1883, Meiji period (1868–1912)
Okuhara Seiko (1837–1913), Landscape
1901, Meiji period (1868–1912)
pedestal bowl and cover
400s–500s, Three Kingdoms period (37 BCE–668 CE)
Ikeda Yoshiro (1947–2014), vessel
Ikeda Yoshiro (1947–2014)
circa 1985–1986
spouted vessel
Final Jomon period (1000 BCE–300 BCE)
jar
jar
late 200s–400s, Kofun period (250 CE–552 CE)
flask
500s–600s, Asuka period (552 CE–645 CE)
Takiguchi Kazuo (born 1953), untitled
Takiguchi Kazuo (born 1953)
circa 1990s, Heisei period (1989–present)
Kabasawa Kenji (born 1948), Namban mizusashi (Namban water jar with lid)
Kabasawa Kenji (born 1948)
1989
Futsukabo (died 1785); Soga Shōhaku (1730–1781), Herons and Reeds
mid 1700s, Edo period (1600–1868)
Gao Qipei (1672–1734), Magnolia in Vase and Cormorant Fisherman
Gao Qipei (1672–1734)
early 1700s, Qing dynasty (1644–1911)
Suzuki Osamu (1926–2001), Akai eboshi (Red Hat)
Suzuki Osamu (1926–2001)
circa 1983, Showa period (1926–1989)
Itō Sekisui (born 1941), tsubo
Itō Sekisui (born 1941)
mid-late 1900s
森野泰明 Morino Hiroaki (born 1934), vase
森野泰明 Morino Hiroaki (born 1934)
mid 1980s
Kanō Enryū (born 1938), A-7
Kanō Enryū (born 1938)
A-7
1998
Karasumaru Mitsuhiro (1579–1638), Tōkōki (Memoir of an Eastern Journey)
Karasumaru Mitsuhiro (1579–1638)
late 1500s–early 1600s
Ding Cong (1916–2009), Images of Today, 1944
1944, Republic of China (1911–1949)
Zhao Shao’ang (1905–1998), 三峽暮色  Sanxia muse  (Sunset at the Three Gorges)
1941, Republic of China (1911–1949)
Zhao Shao’ang (1905–1998), Butterfly on Reeds
1938, Republic of China (1911–1949)