Graceland, Tennessee, Tseng Kwong Chi

Artwork Overview

1950–1990
Graceland, Tennessee, 1979
Where object was made: Graceland, Tennessee, United States
Material/technique: gelatin silver print
Dimensions:
Image Dimensions Height/Width (Height x Width): 91.5 x 91.5 cm
Image Dimensions Height/Width (Height x Width): 36 1/2 x 36 1/2 in
Frame Dimensions (Height x Width x Depth): 37 1/2 x 37 1/4 x 1 1/2 in
Weight (Weight): 16 lbs
Credit line: Museum purchase: Helen Foresman Spencer Art Acquisition Fund
Accession number: 1999.0147
Not on display

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Images

Label texts

Brosseau Center for Learning: In Conversation with the 2018–19 KU Common Book
In East Meets West, Tseng Kwong Chi photographed himself standing in front of well-known monuments of the western world. Although he never set foot in mainland China, he always appeared in the photographs wearing a Chairman Mao worker’s suit, perpetuating the idea of “East” meeting “West.” Tseng wears an identification card bearing the title of “Art Alien,” suggesting not only that he is out of place but also that he is interchangeable with any other non-citizen.
Exhibition Label: "Contemporary Photographs: Rethinking the Genres," Oct-2000, Rachel Epp Buller Beginning in 1979 and continuing throughout the following decade, Tseng Kwong Chi created a photographic series titled East Meets West. In each work, Tseng photographed himself standing in front of a well-known monument of the western world such as the Eiffel Tower or the Empire State Building. Although Tseng never set foot in mainland China, he always appeared in the photographs wearing a Chairman Mao worker’s suit, perpetuating the idea of East meeting West. Graceland, Tennessee, from the East Meets West series, stands on the border between landscape and portraiture. While the series is devoted to capturing European and U.S. landmarks, Tseng remains the constant in each photograph. He manipulates the notion of self-portraiture, however, by sporting a worker’s suit and sunglasses, both of which lend a sense of anonymity. Tseng’s identification card bears not his own name but the title of “Art Alien,” suggesting not only that he is out of place but also that he is interchangeable with any other anonymous alien.

Exhibitions