Banshee Pearls, Kiki Smith; Universal Limited Art Editions

Artwork Overview

Kiki Smith, artist
born 1954
Universal Limited Art Editions, printer and publisher
founded 1957
Banshee Pearls, 1991
Where object was made: United States
Material/technique: torinoko paper; color lithograph
Dimensions:
Image Dimensions Height/Width (Height x Width): 575 x 768 mm
Sheet/Paper Dimensions (Height x Width): 575 x 768 mm
Sheet/Paper Dimensions (Height x Width): 22 5/8 x 30 1/4 in
Frame Dimensions (Height x Width x Depth): 24 1/4 x 31 3/4 x 1 in
Weight (Weight): 7 lbs
Credit line: Museum purchase: Peter T. Bohan Art Acquisition Fund
Accession number: 2000.0090.12
Not on display

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Images

Label texts

A Wry Eye: Witty, Sardonic and Ironic Work by Contemporary Printmakers
The twelve sheets of Banshee Pearls were composed from photographs, X-rays, and photocopied images of mith’s head, often layered over one another with added drawing. The cumulative effect is one of a vibrant resonance between these compounded images, whose accumulations become beautiful as do those of a pearl. Ultimately, this resonance hovers around the idea of mortality, a notion that is reinforced by the title word banshee, “a female spirit in Gaelic folklore believed to presage, by wailing, a death in a family.”
A Wry Eye: Witty, Sardonic and Ironic Work by Contemporary Printmakers
The twelve sheets of Banshee Pearls were composed from photographs, X-rays, and photocopied images of mith’s head, often layered over one another with added drawing. The cumulative effect is one of a vibrant resonance between these compounded images, whose accumulations become beautiful as do those of a pearl. Ultimately, this resonance hovers around the idea of mortality, a notion that is reinforced by the title word banshee, “a female spirit in Gaelic folklore believed to presage, by wailing, a death in a family.”
Exhibition Label: "Sum of the Parts: Recent Works on Paper," Jun-2001, Stephen Goddard The twelve sheets of Banshee Pearls were composed from photographs and photocopies of Smith’s head, often layered over one another with added drawing. The cumulative effect is one of vibrant internal resonance in which reflections and echoes of a face harmonize beautifully and mysteriously with one another and with other forms. The prints, which may be installed in any order, invite the viewer’s own self-analysis.

Exhibitions