untitled (intermediate stages of bloom), William Sharp; John Fisk Allen

The Amazonian water lily (Victoria amazonica) is famed for its huge leaves that approach 10 feet in diameter, and its flowers that can be up to a foot in diameter. Four of these prints document the first successful cultivation of the species, then known as Victoria regia in the United States. The text by amateur botanist John Fisk Allen (1807–1876) discusses the “discovery” and early encounters with the plant by Europeans traveling in South America. Allen cites the account of French botanist Aimé Bonpland, who accompanied German geographer, naturalist, and explorer Alexander von Humboldt on his travels. Bonpland discusses the Amazonian water lily and the flour derived from its seeds by the indigenous peoples of Argentina. In England, Victoria amazonica was first successfully propagated and coaxed to bloom in 1849. Gardener and architect Joseph Paxton was impressed by the structure of the great lily’s leaves, which reportedly was his inspiration for the design of the lace-like cast iron structure of the Crystal Palace at the Great Exhibition of 1851 in London.

This bold and enormous color lithograph tells of the blossoming of the largest water lily in the world. John Fisk Allen, the amateur botanist who owned the depicted Victoria Regia, prepared the text to accompany Sharp’s lithographs. Incorporated in that text is an historical account by Sir Joseph Paxton prepared for a memoir of the lily by Sir W. J. Hooker, published in London in 1851. The following rich description from that memoir appears at page 13 of Allen’s text: “On Thursday afternoon, at 4 o’clock, two of the outer flower leaves (calyx) sprung off with great force, and in three fourths of an hour from this time, the regal beauty of the waters had displayed its first stage of glory! As each broad petal unfurled itself, it fell partly backwards, until three distinct rows formed a cup of rare elegance and of apparently the whitest purity. The still air of the greenhouse was now filled with its rich perfume, as if it were some conscious Beneficence silently blessing all in its august presence. This chaste cup of ivory-like color was set off by the yet unfolded interior flower leaves (petals), betraying a few streaks of carmine tints, whose splendor was yet to be revealed.”