Art Into Art: Inspired Responses

Exhibition

Exhibition Overview

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Art Into Art: Inspired Responses
Central Court and Galleries, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

This fall, the Spencer explores how the art in its collection inspires other expressions of creativity, with a variety of programming meant to stimulate important conversations about the creative process. Art into Art: Inspired Responses is a campus and community project inviting creative responses to works of art in the museum, and includes transformations of the Spencer's front entrance, foyer, and Central Court to reflect the theme of visual art inspiring other forms of creativity. The original inspiration for Art into Art was fairly straightforward: the idea that a work of art, as conceived and executed by an artist, is only part of the art experience. The other part is the response. What is a painting without a viewer, a poem without a reader or a musical performance without a listener? We often talk about the qualities of works of art, but what about the qualities of the responses? Can a response be as creative and inspired as the work of art that stimulates it?

Yes. And a prime example is a book recently published by the Spencer.

Conversations: Art into Poetry at the Spencer Museum of Art collects 27 poems by Elizabeth Schultz, all inspired by works in the Spencer's collection. The book, which includes an introductory essay by Susan Earle, the Spencer's Curator of European and American Art, pairs images of the artworks with Schultz's poems, and is available for $14.95 in the Museum Shop. Schultz's poems will be prominently featured next to the works that inspired them in the Spencer's galleries this fall. Conversations is made possible in part by the generous support of Colette and Jeff Bangert, Janet Hamburg, Carol and Del Shankel, Linda and David Stevens, Georgia and Keith Stevens, Peggy Sullivan, and Marjorie Swann and Bill Tsutsui.

Art into Art also intends to challenge the ways we traditionally expect to see art presented in a museum. In the Central Court, works spanning centuries of art history are hung, salon-style, unhinged from time- or geography-based divisions. This installation of objects from the permanent collection celebrates not only art itself, but what we as viewers bring to it. The works have inspired poems, songs, dances, and scholarship. The unusual arrangement of paintings, photographs, prints, and sculpture challenges our traditional method of seeing. In combination the works invite comparisons to the presentation of 19 th -century salons, as objects span heights and depths that exceed our traditional gaze across gallery walls. Some works will rotate during the course of this exhibition, while others will stay in place. Some objects on the wall may seem as comfortable as the face of an old friend, while others are initially unfamiliar. We present these objects as part of a continuum of engagement that includes your reactions and participation.

The Spencer thanks Sabatini Architects, Inc., for its corporate sponsorship of Art into Art.

A work of art, as conceived and executed by an artist, is only part of the art experience. The other part is the response. What is a painting without a viewer, a poem without a reader or a musical performance without a listener? We often talk about the qualities of works of art, but what about the qualities of the responses? Can a response be as creative and inspired as the work of art that stimulates it?

The Spencer Museum of Art is encouraging creative responses to works in its permanent collection through Art into Art, opening on September 21, 2006. Among those who have been invited to create works for Art into Art are Elizabeth Schultz, poet and Kansas University professor emerita, whose new book of poems, Conversations, is a collection of responses to works in the Spencer collection. She will be joined by Joan Stone, choreographer/dancer and KU professor emerita; Theodore Johnson, artist and KU professor emeritus; and Joyce Castle, renowned opera singer and University of Kansas music faculty member, who will sing a series of songs that were directly inspired by works of art including Statuesque, written especially for her. Numerous other individuals and groups from the University and community have been invited to prepare responses in writing, the visual arts, dance and music, and visitors to the museum can register their own reactions and responses to individual works.

We invite you to join in and share your creative inspirations with all of us!

Exhibition images

Works of art

Walton Ford (born 1960), Hide Trade
Walton Ford (born 1960)
1998
Thomas Wilmer Dewing (1851–1938), Green and Gold
Thomas Wilmer Dewing (1851–1938)
circa 1910
Wu Guanzhong (1919–2010), Pine Spirit
Wu Guanzhong (1919–2010)
1984
Abraham van der Schoor (active 1643–1657), A Musical Party
Abraham van der Schoor (active 1643–1657)
1657
Stéphane Couturier (born 1957), Zum Georg-Treu-Platz, Dresden
Stéphane Couturier (born 1957)
1997
Mimi Smith (born 1942), Steel Wool Peignoir
Mimi Smith (born 1942)
1966
Charmion von Wiegand (1896–1983), untitled
Charmion von Wiegand (1896–1983)
1945
Beverly Grable (circa 1952–circa 1982), Schlitz
Beverly Grable (circa 1952–circa 1982)
circa 1974
Elaine Reichek (born 1943), Sampler (Blade Runner)
Elaine Reichek (born 1943)
2001
David McDermott (born 1952); Peter McGough (born 1958), Valpinçon Bather, 1907
David McDermott (born 1952); Peter McGough (born 1958)
1988
Uragami Gyokudō (1745–1820), Heaven is Eternal, the Way Distant
Uragami Gyokudō (1745–1820)
circa 1810–1820, Edo period (1600–1868)
Osvaldo Louis Guglielmi (1906–1956), South Street Stoop
Osvaldo Louis Guglielmi (1906–1956)
1935
Noguchi Shōhin (1847–1917), Landscape
1892, Meiji period (1868–1912)
Elizabeth Catlett (1919–2012), Sharecropper
Elizabeth Catlett (1919–2012)
1952
Jun Kaneko (born 1942), untitled (Dango 89-5-10)
Jun Kaneko (born 1942)
1989

Events

September 7, 2006
Screening
7:00–8:30PM
309 Auditorium
September 14, 2006
Screening
7:00–8:30PM
309 Auditorium
September 18, 2006
Talk
3:00–5:00PM
September 20, 2006–March 17, 2025
Social
Gallery 317 Central Court
September 22, 2006
Social
5:30–7:30PM
Gallery 317 Central Court
September 28, 2006
Performance
7:00–9:00PM
Gallery 317 Central Court
September 30, 2006
Workshop
10:30AM–12:30PM
Gallery 317 Central Court
September 30, 2006
Workshop
1:30–3:30PM
Gallery 317 Central Court
October 1, 2006
Performance
2:30–3:30PM
Gallery 317 Central Court
October 5, 2006
Talk
7:00–9:00PM
309 Auditorium
October 19, 2006
Talk
12:15–1:15PM
October 19, 2006
Performance
7:00–8:00PM
Gallery 317 Central Court
October 20, 2006
Activity
206 office
October 25, 2006
Activity
Front Lawn
October 26, 2006
Talk
6:30–9:00PM
Gallery 317 Central Court
October 27, 2006
Talk
9:30–11:30AM
Gallery 317 Central Court
October 29, 2006
Activity
1:00–3:00PM
Gallery 317 Central Court
November 2, 2006
Talk
12:15–1:45PM
Gallery 317 Central Court
November 4, 2006
Workshop
10:30AM–1:30PM
November 16, 2006
Screening
7:00–9:00PM
309 Auditorium
November 28, 2006
Activity
Front Lawn
November 30, 2006
Social
6:00–8:00PM
Gallery 317 Central Court
December 16, 2006–December 16, 2005
Performance
4:00–5:00PM
Gallery 317 Central Court

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 84 Oct-2006, Kate Meyer I’m David Cateforis with another Art Minute from the Spencer Museum of Art. This fall, the Spencer explores how the art in its collection stimulates other expressions of creativity. Art into Art: Inspired Responses presents programming meant to encourage important conversations about the creative process. In the museum’s Central Court, works spanning centuries of art history spread across the walls, unhinged from divisions based on time or geography. This installation of objects from the permanent collection celebrates not only art itself, but what viewers bring to it. The works have inspired poems, songs, dances, and scholarship. This arrangement of paintings, photographs, prints, and sculpture challenges our usual method of seeing. In invites comparisons to the presentation of art in 19th-century salons, as objects span heights and depths that exceed our traditional gaze across gallery walls. Some works will rotate during the course of the exhibition, while others will stay in place. Some objects on the wall may seem as comfortable as the face of an old friend, while others may be initially unfamiliar. We present these objects as part of a continuum of engagement that includes your reactions and participation. With thanks to Kate Meyer for her text, from the Spencer Museum of Art, I’m David Cateforis.

Documents