folding fan, unknown maker from China

Artwork Overview

folding fan
late 1800s, Qing dynasty (1644–1911)
folding fan , late 1800s, Qing dynasty (1644–1911)
Where object was made: China
Material/technique: ivory; goose feathers; peacock feathers; gouache; piercing
Credit line: William Bridges Thayer Memorial
Accession number: 1928.0009
Not on display

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Label texts

Thayer Today
Using folding fans as decorative objects and handheld accessories is a behavior that spans continents and centuries. Folding fans were an essential fashion accessory for European women in the 18th and 19th centuries. Women used these fans to cool themselves and to communicate non-verbal messages in social situations. White goose and peacock feathers decorate this folding fan located in the Cabinet of Curiosities in the exhibition Empire of Things. Peacock embellishments were widely appealing to European and American collectors and artists in the late 19th and early 20th centuries. Their popularity likely suited the period’s extravagant displays, as exemplified by James McNeill Whistler’s creation of the acclaimed Peacock Room for the English shipping magnate Frederick Leyland. Tap the Web icon to learn more about the Peacock Room now in the Freer Gallery. Tap the Audio icon and click on a link to hear a Lawrence Southwest Middle School student’s perspective.
Empire of Things
This kind of feather fan was produced in China in the 19th century to export to Western countries.
Cabinet of Curiosities
This kind of feather fan was produced in China in the 19th century to export to Western countries.
Empire of Things
This kind of feather fan was produced in China in the 19th century to export to Western countries.
Empire of Things
This kind of feather fan was produced in China in the 19th century to export to Western countries.

Exhibitions

Kris Ercums, curator
Kate Meyer, curator
2016–2021
Kris Ercums, curator
Kate Meyer, curator
2013–2015

Resources

Audio

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