Sankofa, Marla A. Jackson

Artwork Overview

born 1952
Sankofa, 2007
Where object was made: United States
Material/technique: batik fabric; cotton; Austrian crystal; metallic thread; cowry shells; peacock feathers; paint; appliqué
Credit line: Museum purchase: Peter T. Bohan Art Acquisition Fund
Accession number: 2012.0183
On display: Simons Gallery

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Images

Label texts

Bold Women

The name Sankofa comes from the Twi language of Ghana, Africa, and translates roughly as “go back and get it.” The idea of Sankofa is often represented as a heart or bird-shaped symbol. It represents the importance of reflecting on the past to build a successful future. In this quilt Marla Jackson uses the concept to pay homage to her sisters and mother as well as African American artists of the past, embedding their creative essence in the fabric.

Art and Activism: 50 Years of Africana Studies at KU

This quilt, made of cotton and batik fabric, features four silhouettes decorated with cowry shells, Austrian crystal, and metallic thread. These figures—defined by their Black bodies, bright headdresses, and skirts—are a direct reference to the monochromatic compositions of Aaron Douglas, a notable figure of the Harlem Renaissance. Jackson created this quilt in 2007 when the Spencer Museum of Art organized a major retrospective of Douglas’s work. Beyond this connection to the Spencer Museum and African American history, a central narrative of this work is the Ghanaian notion of sankofa. Defined as an embodied practice that translates from the Twi language as “go back and get it,” this philosophical and meditative process involves the exploration of forgotten histories and past deeds in order to move into a better future. In this quilt, Jackson employs the philosophy of sankofa to pay homage to African American artists of the past by reflecting on their artistic concerns and embedding their creative essence in the fabric. In this act of remembrance, Jackson weaves her vision of a collective African narrative and history into the very fiber of her creation.

Written by Natasha Welsh.

Narratives of the Soul

The name Sankofa comes from the Twi language of Ghana, Africa, and translates roughly as “go back and get it.” The idea of Sankofa is often represented as a heart or bird-shaped symbol. It represents the importance of reflecting on the past to build a successful future. Jackson created this quilt in response to the ideas of Topeka-born artist Aaron Douglas at the time of the major exhibition of Douglas’s work that the Spencer Museum organized in 2007. As Douglas became one of the key visual artists of the Harlem Renaissance during the 1920s and 1930s, he called upon his African heritage to form the foundation of his work.

Exhibitions

Susan Earle, curator
2017
Kate Meyer, curator
2020
Kate Meyer, curator
2020
Susan Earle, curator
2007
Susan Earle, curator
2025