Jardin des Monuments (A Mother Weeping in a Cemetery), Hubert Robert

Artwork Overview

1733–1808
Jardin des Monuments (A Mother Weeping in a Cemetery), 1700s
Where object was made: France
Material/technique: canvas; oil
Dimensions:
Canvas/Support (Height x Width x Depth): 52.1 x 36.8 cm
Canvas/Support (Height x Width x Depth): 20 1/2 x 14 1/2 in
Credit line: Gift of Mr. Lowell P. Weicker
Accession number: 1957.0070
Not on display

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Images

Label texts

Exhibition Label:
"Corpus," Apr-2012, Kris Ercums
French artist Hubert Robert painted many scenes of ancient architecture and ruins, popular subjects in the 18th century. His taste for romantically overgrown ruins began as a young man in Italy, when he studied Ancient Rome. In this painting, Robert depicts another place that likewise inspires memory and contemplation, a cemetery. Kneeling among weathered tombstones and monuments, a figure of a woman conveys a sense of mourning through her poignant appearance. Draped in blue, she appears lost in a grief-stricken moment of contemplation. The tall cypress trees, an element Robert incorporated from his time in Italy, add to the feeling of isolation. The theme of death held personal significance for the artist. The woman in the foreground may symbolize Robert’s wife mourning the deaths of their children, all four of whom died at a young age.

Archive Label 1999:
Like Bellotto, whose Reminiscences of Padua hangs nearby, Hubert Robert painted many scenes of ancient architecture and ruins, popular subjects in the eighteenth century. In this painting, Robert depicts another place that likewise inspires memory and contemplation, a cemetery. The theme of death held personal significance for the artist. The woman kneeling before a grave in the foreground may symbolize Robert's wife mourning the deaths of their children, all four of whom died at a young age.

Exhibitions

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 275 (revised Episode 123). I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Poor Marie Antoinette. She lost her head because she couldn’t quite appreciate the political picture of the time. She was, however, able to appreciate pictures painted by an artist of the time: Hubert Robert, whose decorative pannels and architechtural motifs helped make her little peasant farm at the Petit Trianon so ideallic. Happily, Robert escaped the revolution with his head still in place and was, therefore, able, around 1800, to paint one of the Spencer’s most moving works: A Mother Weeping in a Cemetery. This small painting shows us a woman draped in blue kneeling among the tombstones, beneath a statue of the Madonna and Child. The draped woman’s grief is palpable; her expression, haunting. The memorial stones rise, gray, around her with inscriptions that invite us to try and read them. Some say this painting is symbolic, representing Robert’s wife weeping for their four children, all dead at a young age. True or not, the painting is a vivid representation of a mother’s anguish. Come and see for yourself why Robert was such a favorite with the last Queen of France. With thanks to Randi Hacker for her text, from the Spencer Museum of Art, I’m David Cateforis.