La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau

Exhibition

Exhibition Overview

La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
S. Alan Shields, curator
November 9, 1996–January 19, 1997
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

The exhibition looks at the use of flowers and women as both the basis of beautiful, sensuous works of art and as illustrations of turn-of-the-century attitudes on society, gender, and modernity.

Exhibition images

Works of art

Elihu Vedder
The Pleiades, circa 1885–1887
Gertrude Stanton Käsebier
Pierre Roche
Iris, late 1800s–early 1900s
William Henry Bradley
Alphonse Mucha
George Henry Seeley
Karl Kröner
Maurice Denis
William Nicholson
Max Elskamp
Max Elskamp
Aubrey Vincent Beardsley
Aubrey Vincent Beardsley
Aubrey Vincent Beardsley
The Climax, circa 1907
William Henry Bradley
Henri Fantin-Latour
Jan Toorop
André-Edouard Marty; Henri de Toulouse-Lautrec; L'Estampe Originale
Jonathan Scott Hartley
Whirlwind, 1906
Henri Jacobs
bust of a woman, circa 1900–1910
Franz Rosse
Nude with Poppies, late 1800s
Giuseppe Renda
bust of a woman, late 1800s–early 1900s
Georges van der Straeten
bust of a woman, late 1800s–early 1900s
George Grant Elmslie; Louis Henry Sullivan
Elihu Vedder; Chelsea Tile Works
Charles Walter Stetson
Louis Comfort Tiffany
Salamander vase, 1905–1910
Elizabeth Neave (Lingenfelter) Lincoln; Rookwood Pottery
tulip vase, 1900
Philipp Rosenthal Porcelain Factory and Company AG; Hans Günther Reinstein; Mathildenhöhe Artists Colony
Paye and Baker Manufacturing Co.
butter knife, circa 1900
Whiting Silversmiths
Emanuel Villanis
Leon Pescheret
Aristide Maillol
Odilon Redon