La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
Exhibition
Exhibition Overview
La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
S. Alan Shields, curator
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas
The exhibition looks at the use of flowers and women as both the basis of beautiful, sensuous works of art and as illustrations of turn-of-the-century attitudes on society, gender, and modernity.
Exhibition images
Works of art

circa 1885–1887

late 1800s–early 1900s

Karl Kröner (1887–1972)
1906

1903–1905

1903–1905

circa 1907
![Fidus (1868–1948), Study for Medusa [Studie zur Medusa]](https://sma-search-api.ku.edu/271eaba00a5896ad7d382f6b3cfa5eeedb2599d8ed4071cc8fc9bad7b36fd308/1993.0052.jpg)
Fidus (1868–1948)
1892

Paul Elie Ranson (1864–1909)
1895

Jonathan Scott Hartley (1845–1912)
1906

Henri Jacobs (1864–1935)
circa 1900–1910

Franz Rosse (1858–1900)
late 1800s

Giuseppe Renda (1862–1939)
late 1800s–early 1900s

Georges van der Straeten (1856–1928)
late 1800s–early 1900s

1905–1910

Elizabeth Neave (Lingenfelter) Lincoln (1876–1957); Rookwood Pottery (active 1880–1967)
1900

Paye and Baker Manufacturing Co. (active 1891–1920)
circa 1900

Whiting Silversmiths
1902

Emanuel Villanis
circa 1900

late 1800s–early 1900s