La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau

Exhibition

Exhibition Overview

La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
La Femme et la Fleur: Feminine and Floral Imagery of the Art Nouveau
S. Alan Shields, curator
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

The exhibition looks at the use of flowers and women as both the basis of beautiful, sensuous works of art and as illustrations of turn-of-the-century attitudes on society, gender, and modernity.

Exhibition images

Works of art

Elihu Vedder
circa 1885–1887
Gertrude Stanton Käsebier
circa 1900
Pierre Roche
late 1800s–early 1900s
William Henry Bradley
1895
Alphonse Mucha
1925
George Henry Seeley
1907
Maurice Denis
1895
William Nicholson
1897
Max Elskamp
1903–1905
Max Elskamp
1903–1905
Aubrey Vincent Beardsley
circa 1907
Aubrey Vincent Beardsley
circa 1907
Aubrey Vincent Beardsley
circa 1907
William Henry Bradley
1894
Henri Fantin-Latour
1897
Jan Toorop
1895
André-Edouard Marty, Henri de Toulouse-Lautrec, L'Estampe Originale
1893
Jonathan Scott Hartley
1906
Henri Jacobs
circa 1900–1910
Franz Rosse
late 1800s
Giuseppe Renda
late 1800s–early 1900s
Georges van der Straeten
late 1800s–early 1900s
George Grant Elmslie, Louis Henry Sullivan
1899–1904
Elihu Vedder, Chelsea Tile Works
1882
Charles Walter Stetson
1896
Louis Comfort Tiffany
1905–1910
Elizabeth Neave (Lingenfelter) Lincoln, Rookwood Pottery
1900
Philipp Rosenthal Porcelain Factory and Company AG, Hans Günther Reinstein, Mathildenhöhe Artists Colony
circa 1903
Paye and Baker Manufacturing Co.
circa 1900
Whiting Silversmiths
1902
Emanuel Villanis
circa 1900
Leon Pescheret
1933
Aristide Maillol
1895
Odilon Redon
late 1800s–early 1900s