Tradition and Modernity: Japanese Art of the Early Twentieth Century

Exhibition

Exhibition Overview

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Tradition and Modernity: Japanese Art of the Early Twentieth Century
Hillary Pedersen, curator
January 22, 2005–May 22, 2005
Asia Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

In the early decades of the twentieth century, Japan experienced many changes. During the first decades of the century, in the Meiji period (1868-1912), the country rapidly adopted Western models of education, politics and industrialization, and emerged as a more modern society after a long period of international isolation. Later, in the Taisho (1912- 26) and early Showa (1926-1989) periods, modernization was no longer simply the product of Western imitation, as the country rapidly became an international, industrial and urban society in its own right. Throughout these decades, complex tensions emerged between the desire to retain traditional cultural values and the desire to be a modern society. The complexity of early twentieth century Japanese society is revealed in its art, which selectively incorporates traditional and more modern modes of creation in a variety of formats, mediums, themes, and styles. Western art techniques, a flourishing export market, and a search for a new national identity that combined both tradition and modernity were some of the factors that shaped early twentieth century Japanese art.

This selection of works from the Spencer's collection broadly illustrates Japan's changing social climate of the early twentieth century and hopes to reveal the dynamic character of this period.

Exhibition images

Works of art

Toyohara Chikanobu
View of the Russian War, Capture of Chengchou Castle, 1904, Meiji period (1868–1912)
Takahashi Shōtei
Night Rain at Kiritoshi, circa 1910s, Meiji period (1868–1912)
Ohara Shōson
Herons in Snow, circa 1910s, Meiji period (1868–1912)
Hasegawa Takejirō; Kobayashi Eijirō
High Bridge by Night, 1915–1920, Taisho period (1912–1926)
Yoshikawa Kanpō
The Actor Nakamura Ganjirō I as Kamiya Jihei, 1923, Taisho period (1912–1926)
Natori Shunsen
The Actor Ichimura Uzaemon XV as Iriya Naozamurai, 1925, Taisho period (1912–1926)
Hashiguchi Goyō
Woman kneeling before mirror, 1920, Taisho period (1912–1926)
Torii Kotondo
The Red Kimono, 1929, Showa period (1926–1989)
Kawase Hasui
Kyōto, Chion-in, 1933, Showa period (1926–1989)
Kawase Hasui
Moon at Magome, 1930, Showa period (1926–1989)
Yoshida Hiroshi
Misty Day in Nikkō, 1937, Showa period (1926–1989)
Yoshida Hiroshi
Yoshida Hiroshi
jar with cover, Meiji period (1868–1912)
Yoshida Hiroshi
vase, Meiji period (1868–1912)
Miharu
香炉 koro (incense burner), circa 1880s, Meiji period (1868–1912)
Seishi
vase with dragon around neck, circa 1880s, Meiji period (1868–1912)
Hirata Jūkō VII
punch bowl with bamboo and wisteria, 1905, Meiji period (1868–1912)
Yoshida Hiroshi
Peaceful Riishiri, 1938, Showa period (1926–1989)
Takahashi Shōtei
Mt. Fuji from Mizukubo, circa 1938, Showa period (1926–1989)
Itō Takashi
Spring Snow in Kamitakachi, 1932, 6th month, Showa period (1926–1989)
Kasamatsu Shirō
Moonrise at Nezu Gangan Shrine, 1932, Showa period (1926–1989)
Nakamura Daizaburō
Taniguchi Kōkyō
Autumn Song from the Odes of Wu, late 1800s–early 1900s, Meiji period (1868–1912) or Taisho period (1912–1926)

Events

February 10, 2005
Social
7:00–9:00PM
Gallery 317 Central Court

Resources

Documents