Around the Cake, Wayne Thiebaud

Artwork Overview

1920–2021
Around the Cake, 1962
Where object was made: United States
Material/technique: oil; canvas
Dimensions:
Canvas/Support (Height x Width x Depth): 55.9 x 71.1 cm
Canvas/Support (Height x Width x Depth): 22 1/2 x 28 0.9921 in
Frame Dimensions (Height x Width x Depth): 23 1/2 x 29 5/8 x 2 1/2 in
Credit line: Gift of Ralph T. Coe in memory of Helen F. Spencer
Accession number: 1982.0144
On display: Loo Gallery

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Images

Label texts

Archive Label 2009: Wayne Thiebaud, a painter usually classified as Pop, began painting mass-produced foodstuffs in the 1950s. Prior to his painting career he was a commercial artist. Thiebaud, who considers himself more realist that Pop, paints common American edibles - pies, cakes, hotdogs, ice cream cones, -- which he says, “every American child has been brought up on.” He presents his subject with deadpan repetition, again a blank background, to demonstrate “how much alike yet how different an image can be.” Thiebaud works in an improvisational manner, creating each painting quickly from his imagination. Fascinated with Jasper John’s interplay between illusion and reality, Thiebaud playfully reconstructs the look and feel of real cake frosting. Of such creamy confections the artist says: “The decoration in Europe, particularly of cakes, seems more delicate. Here they are full of globs of material such as chocolate and cream. The materials are used as a kind of metaphor of plentitude. Americans always put on much more frosting, etc. than is needed.”

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 8. I’m David Cateforis with another art minute from the Spencer Museum of Art. The California artist Wayne Thiebaud made his reputation in the early 1960s with still-life paintings of ice cream cones, gumball machines, cakes and pies. Like the New York Pop artists, with whom he was often compared, Thiebaud painted familiar icons of American consumerism, but he did so without irony, and with affection. And unlike the Pop artists, he was primarily committed to the process of painting, choosing subjects that attracted him in terms of form, line, color, and texture. The Spencer’s Thiebaud, a 1962 painting called “Around the Cake,” depicts a white frosted cake encircled by eight cake slices on plates. The luscious, thick oil paint conjures the texture of frosting, tempting the viewer’s sense of taste as well as sight. Thiebaud did not paint the cake and slices from observation but worked from memory, building them out of basic geometric shapes such as ellipses, trapezoids, and triangles. He also gave them colorful shadows to enhance their vitality and to suggest stage lighting, recalling his early work as a theater set designer. From the Spencer Museum of Art, I’m David Cateforis.
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