Kashmir shawl, unknown maker from India

Artwork Overview

Kashmir shawl
circa 1875–1899
Kashmir shawl , circa 1875–1899
Where object was made: Kashmir, India
Material/technique: embroidering; wool; cashmere; twill
Dimensions:
Object Length/Width (Length x Width): 315 x 138 cm
Object Length/Width (Length x Width): 54 5/16 x 124 in
Credit line: William Bridges Thayer Memorial
Accession number: 1928.0752
Not on display

If you wish to reproduce this image, please submit an image request

Images

Label texts

Civic Leader and Art Collector: Sallie Casey Thayer and an Art Museum for KU

Shawls from Kashmir, a region of the Indian subcontinent, were originally made of the fine, lustrous fleece of the cashmere goat with motifs woven in a rare and difficult twill-tapestry technique. While this area was under European colonial rule, Kashmiri craftsmen wove these shawls for export to Western markets. Prized for their fine fiber, exquisite craftsmanship, and typical cone motifs, these shawls dominated the European fashion world from the late 18th century through the third quarter of the 19th century.
Dress fashions changed radically during this period of empire building and industrial revolution, but a close collaboration between Kashmiri and French designers, the adaptability and ingenuity of Kashmiri craftsmen, and a continuing European fascination with objects and motifs associated with colonized South Asia ensured a remarkable longevity for the Kashmir shawl among fashion-conscious European women. Sixteen Kashmir shawls form part of Sallie Casey Thayer’s original gift.

Civic Leader and Art Collector: Sallie Casey Thayer and an Art Museum for KU

Shawls from Kashmir, a region of the Indian subcontinent, were originally made of the fine, lustrous fleece of the cashmere goat with motifs woven in a rare and difficult twill-tapestry technique.
While this area was under European colonial rule, Kashmiri craftsmen wove these shawls for export to Western markets. Prized for their fine fiber, exquisite craftsmanship, and typical cone motifs, these shawls dominated the European fashion world from the late 18th century through the third quarter of the 19th century.
Dress fashions changed radically during this period of empire building and industrial revolution, but a close collaboration between Kashmiri and French designers, the adaptability and
ingenuity of Kashmiri craftsmen, and a continuing European fascination with objects and motifs associated with colonized South Asia ensured a remarkable longevity for the Kashmir shawl among fashion-conscious European women. Sixteen Kashmir
shawls form part of Sallie Casey Thayer’s original gift.

In the late 19th century, Kashmir shawls and their European counterparts were remade into newly fashionable articles of clothing, such as waisted jackets. They were also used for household furnishings—as piano covers, throws, and wall hangings. They seem to have been appreciated even when they were not in style. If they were not kept as family heirlooms, these shawls were often donated to museums, where they remain a legacy of the unrivalled skill and creative adaptability of the Kashmiri weaver.

Tap on the Web icon above and click to view a tea gown that is now part of the collection of the Metropolitan Museum of Art in New York. Created in the United States, circa 1891, it was made from a cut-up wool shawl woven in a paisley pattern

Exhibitions