Bread Mold Piece on Scorched Rock, Peter Hutchinson

Artwork Overview

Peter Hutchinson, Bread Mold Piece on Scorched Rock
Peter Hutchinson, Bread Mold Piece on Scorched Rock
Peter Hutchinson
Bread Mold Piece on Scorched Rock
1969
Bread Mold Piece on Scorched Rock, 1969
Where object was made: England, United Kingdom
Material/technique: rock; bread mold; glass
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 20.32 x 31.75 x 16.51 cm
Object Height/Width/Depth (Height x Width x Depth): 8 x 12 1/2 x 6 1/2 in
Credit line: The Helen Foresman Spencer Museum of Art, The University of Kansas, The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States, a joint initiative of the Trustees of the Dorothy and Herbert Vogel Collection and the National Gallery of Art, with generous support of the National Endowment for the Arts and the Institute of Museum and Library Services
Accession number: 2009.0051
Not on display
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Exhibition Label: "NetWorks: Art and Artists from the Dorothy and Herbert Vogel Collection," Mar-2011, Susan Earle, Stephen Goddard, and SMA Interns Peter Hutchinson’s first mold-art pieces, including the work exhibited here, were small-scale models for fantastical landscape projects. As Hutchinson explains, “About this time I was making maquettes of landscapes that, while purporting to be of earthly places, were more truly science fiction, with tubes containing chemical crystals that might exist in oxygenfree environments or airless planetary bodies. They were juxtaposed with tubes containing early life forms such as mold, bacteria, and algae. This represented the contrast between life and non-life, between lively earth and lifeless space.” An avid gardener, Hutchinson’s conceptual art is also rooted in ecological pragmatism. In simple terms, he writes that his work llustrates “the reuse of decayed matter and recycling it for use by plants - a fact well understood by those with compost heaps.”