Teaching Gallery: Japanese Prints and Paintings

Exhibition

Exhibition Overview

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Teaching Gallery: Japanese Prints and Paintings
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Japanese prints and paintings selected for Sherry Fowler’s HA 482/782, Japanese Painting and HA 467, Honors History of Japanese Art, on view through December 5

Works of art

Okamoto Shūki (1807–1862), Peacock on a Rock
Okamoto Shūki (1807–1862), Peacock on a Rock
Okamoto Shūki (1807–1862)
Peacock on a Rock
early 1800s, Edo period (1600–1868)
Utagawa Kunisada (1786–1864), Portrait of the actor Bando Hikosaburō V as Iwasuji
Utagawa Kunisada (1786–1864), Portrait of the actor Bando Hikosaburō V as Iwasuji
Utagawa Kunisada
Portrait of the actor Bando Hikosaburō V as Iwasuji
1862, Edo period (1600–1868)
Gōshō Mandara (Mandala of Amitābha’s Welcoming Descent)
Gōshō Mandara (Mandala of Amitābha’s Welcoming Descent)
Gōshō Mandara (Mandala of Amitābha’s Welcoming Descent)
possibly 1800s, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), #49 Sakanoshita gankutsu no Kannon (Cave shrine of Kannon at Sakanoshita)
Utagawa Hiroshige (1797–1858), #49 Sakanoshita gankutsu no Kannon (Cave shrine of Kannon at Sakanoshita)
Utagawa Hiroshige
#49 Sakanoshita gankutsu no Kannon (Cave shrine of Kannon at Sakanoshita)
1855, 7th month, Edo period (1600–1868)
Utagawa Hiroshige (1797–1858), Hira no bosetsu (Evening Snow on Mt. Hira)
Utagawa Hiroshige (1797–1858), Hira no bosetsu (Evening Snow on Mt. Hira)
Utagawa Hiroshige
Hira no bosetsu (Evening Snow on Mt. Hira)
circa 1834, Edo period (1600–1868)
Torii Kiyomitsu I (1735–1785), actors Hangorō II and Hikosaburō II
Torii Kiyomitsu I (1735–1785), actors Hangorō II and Hikosaburō II
Torii Kiyomitsu I
actors Hangorō II and Hikosaburō II
late 1750s, Edo period (1600–1868)
Suzuki Harunobu (circa 1725–1770), courtesan offering a pipe to Bodhidharma
Suzuki Harunobu (circa 1725–1770), courtesan offering a pipe to Bodhidharma
Suzuki Harunobu
courtesan offering a pipe to Bodhidharma
1765, Edo period (1600–1868)
Shunkōsai Hokushū (active circa 1802–1832), Onoe Kikugoro III as Ghost of Oiwa
Shunkōsai Hokushū (active circa 1802–1832), Onoe Kikugoro III as Ghost of Oiwa
Onoe Kikugoro III as Ghost of Oiwa
1826, 1st month, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), (The miraculous gourd guarded by sacred snake which appeared in the garden of Emaro in Sanuki province around the time of the birth of Prince Shotoku)
Utagawa Kuniyoshi (1797–1861), (The miraculous gourd guarded by sacred snake which appeared in the garden of Emaro in Sanuki province around the time of the birth of Prince Shotoku)
(The miraculous gourd guarded by sacred snake which appeared in the garden of Emaro in Sanuki province around the time of the birth of Prince Shotoku)
circa 1840 (later printing), Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), #49 Lantern Ghost of Oiwa (Hebiyama; Snake Mountain)
Utagawa Kuniyoshi (1797–1861), #49 Lantern Ghost of Oiwa (Hebiyama; Snake Mountain)
#49 Lantern Ghost of Oiwa (Hebiyama; Snake Mountain)
circa 1845–1847, Edo period (1600–1868)
Shunbaisai Hokuei (active circa 1824–1837), Iemon Nyōbō Oiwa (Lantern Ghost of Oiwa)
Shunbaisai Hokuei (active circa 1824–1837), Iemon Nyōbō Oiwa (Lantern Ghost of Oiwa)
Iemon Nyōbō Oiwa (Lantern Ghost of Oiwa)
circa 1831, Edo period (1600–1868)
Yokoi Kinkoku (1761–1832), Nehan (Death scene of a famous poet)
Yokoi Kinkoku (1761–1832), Nehan (Death scene of a famous poet)
Yokoi Kinkoku
Nehan (Death scene of a famous poet)
late 1700s–early 1800s, Edo period (1600–1868)
月岡芳年 Tsukioka Yoshitoshi (1839–1892), Priest Raigō of Mii Temple Transformed into a Rat
月岡芳年 Tsukioka Yoshitoshi (1839–1892), Priest Raigō of Mii Temple Transformed into a Rat
月岡芳年 Tsukioka Yoshitoshi
Priest Raigō of Mii Temple Transformed into a Rat
1891, Meiji period (1868–1912)
Fūgai Ekun (1568–1654), Daruma crossing the river
Fūgai Ekun (1568–1654), Daruma crossing the river
Fūgai Ekun (1568–1654)
Daruma crossing the river
late 1500s–early 1600s, Momoyama period (1573–1615) or Edo period (1600–1868)
Kakujujo Meirindō (active 1861–1864), Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as Okaru
Kakujujo Meirindō (active 1861–1864), Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as Okaru
Kakujujo Meirindō (active 1861–1864)
Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as Okaru
1862, 3rd month, Edo period (1600–1868)
Ema (votive plaque)
Ema (votive plaque)
Ema (votive plaque)
1773, Edo period (1600–1868)
Ema Saikō (1787–1861), Landscape
Ema Saikō (1787–1861), Landscape
Ema Saikō (1787–1861)
Landscape
1856, Edo period (1600–1868)
Nakabayashi Chikutō (1776–1853), Summer Landscape
Nakabayashi Chikutō (1776–1853), Summer Landscape
Nakabayashi Chikutō
Summer Landscape
1834, Edo period (1600–1868)
Tiger
Tiger
Tiger
1900s
Kō Sūkoku (1730–1804), Landscape with barges on river
Kō Sūkoku (1730–1804), Landscape with barges on river
Kō Sūkoku (1730–1804)
Landscape with barges on river
late 1700s, Edo period (1600–1868)
Shima Seien (1893–1970), Spring Pony Dance (harukoma)
Shima Seien (1893–1970), Spring Pony Dance (harukoma)
Shima Seien (1893–1970)
Spring Pony Dance (harukoma)
circa 1930
Kannon (Avalokitesvara)
Kannon (Avalokitesvara)
Kannon (Avalokitesvara)
1300s–late 1400s, Nambokuchō period (1337–1392) to Muromachi period (1338–1573)
Kawanabe Kyōsai (1831–1889); Sawamuraya Seikichi, Jigoku dayū (Hell Courtesan)
Kawanabe Kyōsai (1831–1889); Sawamuraya Seikichi, Jigoku dayū (Hell Courtesan)
Kawanabe Kyōsai
Jigoku dayū (Hell Courtesan)
1874, Meiji period (1868–1912)
Utagawa Hiroshige (1797–1858), #51 深川万年橋 Fukagawa mannenbashi (Mannen Bridge in Fukagawa)
Utagawa Hiroshige (1797–1858), #51 深川万年橋 Fukagawa mannenbashi (Mannen Bridge in Fukagawa)
Utagawa Hiroshige
#51 深川万年橋 Fukagawa mannenbashi (Mannen Bridge in Fukagawa)
1857, Edo period (1600–1868)
tomb tile
tomb tile
tomb tile
circa 200 CE, Eastern Han dynasty (25 CE–220 CE)
Gekko (active late 1700s to early 1800s), Oiwa (The Lantern Ghost)
Gekko (active late 1700s to early 1800s), Oiwa (The Lantern Ghost)
Gekko (active late 1700s to early 1800s)
Oiwa (The Lantern Ghost)
early 1800s, Edo period (1600–1868)