A New York Picture Post: Gotham in the 20th Century

Exhibition

Exhibition Overview

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A New York Picture Post: Gotham in the 20th Century
Brett Knappe, curator
September 28, 2007–December 8, 2007
Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Each man reads his own meaning into New York
- famed New York reporter, Meyer Berger

Cultural capital or smog-choked megalopolis? New York is a city that courts passionate opinions. Whether one notes the art scene or the crime scenes, Central Park or Central Booking, the skyscrapers or the abandoned row houses, everyone seems to have an opinion about the city that never sleeps. New York was founded as New Amsterdam in 1614, was seized by the English and renamed in 1664, and even served as capital of the fledgling United States until 1790. In the 19th century, the city grew to become the financial and cultural capital of the United States. Yet, it was the 20th century that witnessed the true emergence of New York in all its modern splendor.

This exhibition employs photographs from the Spencer’s collection to explore 100 years of the 20th-century New York experience. Many an important photographer has turned his or her camera toward the Big Apple and together they present a portrait of a vital, diverse, and entrancing city. A New York Picture Post utilizes the photographs of Alfred Stieglitz, Aaron Siskind, James Van Der Zee, Walker Evans, Berenice Abbott, Weegee, Robert Frank, Garry Winogrand, Lee Friedlander, Bill Jacobson, and many others to capture the five boroughs of New York. Love it or hate it, this portrait of the city will be on the walls of the Spencer Museum of Art throughout the fall, giving plenty of opportunities to substantiate Meyer Berger’s words and read your own meaning into New York.

This exhibition is organized for the Spencer Museum of Art by guest curator Brett Knappe, former Andrew W. Mellon photography intern and KU graduate student in art history.

Exhibition images

Works of art

Berenice Abbott
Berenice Abbott
Thomas J. Fitzsimmons; Associated Press Newsphoto Service
Joe Schwartz
Joe Schwartz
James Van Der Zee
Barbara Morgan
Bill Jacobson
#3775, 2000
Alvin Langdon Coburn
Alvin Langdon Coburn
Alvin Langdon Coburn
Brooklyn Bridge, circa 1900
Hampton F. Shirer
Lewis Wickes Hine
Elliott Erwitt
Jill Krementz
Joe Kelly
Lee Friedlander
Elliott Erwitt
Garry Winogrand
Garry Winogrand
Arthur Rothstein
Robert Frank
Edward Steichen
Rockefeller Center, 1935–1938
Garry Winogrand
Alfred Stieglitz
Paul Strand
Paul Strand
Louis Faurer
William Klein
New York, 1954
Sid Grossman
Morris Engel
Alfred Stieglitz
Sid Grossman
Robert Frank
NYC, 1948
W. Eugene Smith
untitled, 1957–1958
Wolf von dem Bussche
Roy DeCarava
Paul Strand; Richard Benson
Aaron Siskind
Harlem Document, circa 1937
Aaron Siskind
Harlem Document, circa 1935
Aaron Siskind
Aaron Siskind
Lee Friedlander; Richard Benson
Lee Friedlander; Richard Benson
Daniel S. Williams
Gordon H. Coster
Manhattan at Sunset, circa 1920s
Larry Fink

Resources

Audio

Didactic – Art Minute
Didactic – Art Minute
Episode 122 Sep-2007, Brett Knappe I’m David Cateforis with another Art Minute from the Spencer Museum of Art. Famed New York reporter Meyer Berger once wrote that “Each man reads his own meaning into New York.” Without a doubt, New York is a city that courts passionate opinions, and a current photography exhibition at the Spencer presents a variety of viewpoints about “the city that never sleeps.” A New York Picture Post: Gotham in the 20th Century employs photographs from the Spencer’s collection to explore 100 years of the New York experience. Many an important photographer has turned his or her camera on the Big Apple and together they present a portrait of a vital, diverse, and entrancing city. A New York Picture Post displays the photographs of Alfred Stieglitz, Aaron Siskind, James Van Der Zee, Walker Evans, Berenice Abbott, Weegee, Robert Frank, Garry Winogrand, Lee Friedlander, Bill Jacobson, and many others to capture the five boroughs of New York. Love it or hate it, this portrait of the city will be on the walls of the Spencer through the fall, giving plenty of opportunities to substantiate Meyer Berger’s words and read your own meaning into New York. With thanks to Brett Knappe for his text, from the Spencer Museum of Art, I’m David Cateforis.

Documents