Japanese Prints from the Collection

Exhibition

Exhibition Overview

Japanese Prints from the Collection
Japanese Prints from the Collection
Cori Sherman, curator
North Balcony and South Balcony, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Highlights from the collection provide an overview of printmaking in Japan, from the early 1700s through 1971. Forty-three works on paper include a variety of formats, such as triptychs and other multi-sheet assemblages, a bound book, and a table screen. Most works are examples of the traditional color woodcut techniques popularized in Japan’s Edo period (1615-1868). The images included are of kabuki theater actors, pleasure district courtesans, famous places, historical events and a selection of ghost and demons.

Exhibition images

Works of art

Suzuki Harunobu (circa 1725–1770), untitled (mitate on Kume Sennin)
circa 1769, Edo period (1600–1868)
Gosōtei Hirosada (active circa 1819–1863), Satomi Hakkenden (The Legend of the Eight Dog-Warriors of the Satomi)
1800s, Edo period (1600–1868) or Meiji period (1868–1912)
Utagawa Hiroshige (1797–1858), #47 Fudō Waterfall at Ōji
1857, 9th month, Edo period (1600–1868)
Kawase Hasui (1883–1957), Kyōto, Chion-in
1933, Showa period (1926–1989)
Toyohara Kunichika (1835–1900), Jūhachiban no uchi (The 18 Favorites)
1898, 3rd month, Meiji period (1868–1912)
Toyohara Kunichika (1835–1900), Scene from Banchō Sarayashiki
1892, 10th month, Meiji period (1868–1912)
Utagawa Kunisada (1786–1864), courtesans and attendants under a plum tree
circa 1820s–1830s, Edo period (1600–1868)
Utagawa Kunisada (1786–1864), Ariwara No Narihira as the Ghost of Seigen
1852, 10th month, Edo period (1600–1868)
Kitagawa Utamaro (1754–1806), The Spring Horse Dance, New Years (Harugoma)
circa 1801–1803, Edo period (1600–1868)
Yoshida Tōshi (1911–1995), Monument Valley
1971, Showa period (1926–1989)
Utagawa Yoshitsuya (1822–1866), Tsuchigumo (Earth Spider)
circa 1847–1852, Edo period (1600–1868)