Japanese Prints from the Collection

Exhibition

Exhibition Overview

Japanese Prints from the Collection
Japanese Prints from the Collection
Cori Sherman, curator
North Balcony and South Balcony, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Highlights from the collection provide an overview of printmaking in Japan, from the early 1700s through 1971. Forty-three works on paper include a variety of formats, such as triptychs and other multi-sheet assemblages, a bound book, and a table screen. Most works are examples of the traditional color woodcut techniques popularized in Japan’s Edo period (1615-1868). The images included are of kabuki theater actors, pleasure district courtesans, famous places, historical events and a selection of ghost and demons.

Exhibition images

Works of art

Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838), Nakamura Utaemon III in six roles
Asayama Ashikuni (circa 1775–1818); Nakamura Utaemon III (1778–1838)
1817, Edo period (1600–1868)
Suzuki Harunobu (circa 1725–1770), untitled (mitate on Kume Sennin)
circa 1769, Edo period (1600–1868)
Gosōtei Hirosada (active circa 1819–1863), Satomi Hakkenden (The Legend of the Eight Dog-Warriors of the Satomi)
1800s, Edo period (1600–1868) or Meiji period (1868–1912)
Utagawa Hiroshige (1797–1858), #47 Fudō Waterfall at Ōji
1857, 9th month, Edo period (1600–1868)
Kakujujo Meirindō (active 1861–1864), Bandō Hikosaburō as Hayano Kanpei and Sawamura Tanosuke as Okaru
Kakujujo Meirindō (active 1861–1864)
1862, 3rd month, Edo period (1600–1868)
Kawase Hasui (1883–1957), Kyōto, Chion-in
1933, Showa period (1926–1989)
Toyohara Kunichika (1835–1900), Jūhachiban no uchi (The 18 Favorites)
1898, 3rd month, Meiji period (1868–1912)
Toyohara Kunichika (1835–1900), Scene from Banchō Sarayashiki
1892, 10th month, Meiji period (1868–1912)
Utagawa Kunisada (1786–1864), courtesans and attendants under a plum tree
circa 1820s–1830s, Edo period (1600–1868)
Utagawa Kunisada (1786–1864), Ariwara No Narihira as the Ghost of Seigen
1852, 10th month, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Gishi yo uchi rannyū no zu [The Night Attack (Scene 11)]
1840s–1850s, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Akaguchi [Red Mouth] (5 Shakku, not a good day)
1860, 10th month, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), 政岡 Masaoka, #16 (The Spectre of Nikki Danjō)
circa 1841–1842, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861); Iba-ya Sensaburo, Nissaka (The Nightly Weeping Rock)
circa 1845–1846, Edo period (1600–1868)
Kawanabe Kyōsai (1831–1889); Sawamuraya Seikichi, Jigoku dayū (Hell Courtesan)
1874, Meiji period (1868–1912)
Nishimura Shigenobu (active 1724–1735), Migi: Kaku no Osan (Right: The Courtesan Osan)
Nishimura Shigenobu (active 1724–1735)
early 1730s, Edo period (1600–1868)
Katsukawa Shun'ei (1762–1819), Portrait of the Actor Matsumoto Kōshirō IV
1794, Edo period (1600–1868)
Katsukawa Shunkō (1743–1812), scene from the play "Shiten'ō ōeyamairi"
Katsukawa Shunkō (1743–1812)
1785, Edo period (1600–1868)
Katsukawa Shunshō (1726–1792), actors with "Chronicle of the Future"
mid 1770s, Edo period (1600–1868)
Kitagawa Utamaro (1754–1806), The Spring Horse Dance, New Years (Harugoma)
circa 1801–1803, Edo period (1600–1868)
Yoshida Tōshi (1911–1995), Monument Valley
1971, Showa period (1926–1989)
Yoshikawa Kanpō (1894–1979), The Actor Nakamura Ganjirō I as Kamiya Jihei
Yoshikawa Kanpō (1894–1979)
1923, Taisho period (1912–1926)
Utagawa Yoshitsuya (1822–1866), Tsuchigumo (Earth Spider)
circa 1847–1852, Edo period (1600–1868)