The Bonham Project, Jon O'Neal

Artwork Overview

Jon O'Neal, artist
born 1957
The Bonham Project, 1989
Where object was made: United States
Material/technique: gelatin silver print; cardboard
Dimensions:
Image Dimensions Height/Width (Height x Width): 229 x 381 mm
Image Dimensions Height/Width (Height x Width): 9 x 15 in
Mat Dimensions (Height x Width): 16 x 20 in
Credit line: Gift of the artist
Accession number: 1993.0304
Not on display

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Images

Label texts

Healing, Knowing, Seeing the Body

As a physician and photographer, Dr. Jon O’Neal was tasked with studying the bodies of HIV-positive individuals as part of one of the U.S. military’s first systematic studies of AIDS. O’Neal became fascinated with understanding how a supposedly ill body—one infected with HIV—could show no obvious external signs of disease. His photographs were taken in a makeshift studio set up in The Bonham Exchange, a nightclub in 1980s San Antonio, Texas. O’Neal’s anonymized, disembodied images encourage us to consider how seeing bodies can at once feel intimate—even voyeuristic—and impersonal.

Healing, Knowing, Seeing the Body

As a physician and photographer, Dr. Jon O’Neal was tasked with studying the bodies of HIV-positive individuals as part of one of the U.S. military’s first systematic studies of AIDS. O’Neal became fascinated with understanding how a supposedly ill body—one infected with HIV—could show no obvious external signs of disease. His photographs were taken in a makeshift studio set up in The Bonham Exchange, a nightclub in 1980s San Antonio, Texas. O’Neal’s anonymized, disembodied images encourage us to consider how seeing bodies can at once feel intimate—even voyeuristic—and impersonal.

Archive Label 2003:
Jon O’Neal, a KU graduate, created a series of photographs that were inspired by his experiences as a medical intern participating in one of the military’s first rounds of systematic tests for the AIDS virus. These photographs address AIDS on several levels. They depict the male body, male sexuality, men who live with the knowledge that they are HIV positive, and a grid that suggests the repetitive pattern of examining and being examined.

Exhibitions

Amanda Martin-Hamon, curator
2000
Cassandra Mesick Braun, curator
2021
Cassandra Mesick Braun, curator
2021