Facade, Robert Berkeley Green

Exhibition Label: “Make a Mark: Art of the 1960s,” Mar-2008, Lara Kuykendall Take an object. Do something to it. Do something else to it. Take a canvas. Put a mark on it. Put another mark on it. Jasper Johns. “Sketchbook Notes,” 1965 In the 1960s artists from the United States and beyond strove to “make a mark” on the art world and the culture at large by exploring the nature of creativity. Each of the three themes in this exhibition, color + form, gesture + splatter, and layer upon layer, shows how vivid and dynamic the art of this decade was. Some artists used color and geometric shapes abstractly, often to foster unusual optical effects, whereas others employed the personal, autographic gesture of expressionism. Still other artists exploited various methods of layering to create new kinds of collage. By doing something to an object or putting marks on a surface, artists in the 1960s responded to the realms of art, politics, and popular culture. The objects and images they made defined the visual culture of their generation. Archive Label: “It’s a collage of ink and gouache. I wanted a kind of a two dimensional form that also suggested, only suggested three dimensions. I was thinking of a building, as you can see from the transom up there. “There are certain areas that show the collage pieces, the warmer paper down below and the triangular piece. The warm color is the paper, the white is gouache, and the black is ink. There’s some of the accidental element both in the black around the white area, and some of that spackle. It differs from the Broken Scissors where Broken Scissors is more of a drip painting and this is a little more deliberate. To do the spackle, I’d get ink in the brush and then pull the brush back and flick the ink or gouache on.”