covered vessel, 김익영/金益寧 Kim Yik-yung

Artwork Overview

covered vessel, 2004
Where object was made: Korea
Material/technique: glaze; ceramic
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 25.5 x 30 x 27 cm
Object Height/Width/Depth (Height x Width x Depth): 10 1/16 x 11 13/16 x 10 5/8 in
Credit line: Gift of Kang Collection Korean Art, NYC
Accession number: 2008.0281.a,b
Not on display

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Images

Label texts

Forms of Thought
Kim Yik-yung’s vessel is a modern reinterpretation of ritual vessels from the Joseon period (1392–1910). While Joseon ritual porcelains inspired Kim’s minimalistic approach to shaping vessels, her metallic black glazing echoes ancient Chinese ritual bronze vessels. By slicing pliable porcelain with a knife, Kim imparts a structured, architectonic texture to this otherwise soft material.
Forms of Thought
Kim Yik Yung’s Covered Vessel is a modern reinterpretation of ritual vessels from the Joseon period (1392-1910). While Joseon ritual porcelains inspired Kim’s minimalistic approach to shaping vessels, her metallic black glazing echoes ancient Chinese ritual bronze vessels. By slicing pliable porcelain with a knife, Kim imparts a structured, architectonic texture to this otherwise soft material.
Forms of Thought
Kim Yik Yung’s Covered Vessel is a modern reinterpretation of ritual vessels from the Joseon period (1392-1910). While Joseon ritual porcelains inspired Kim’s minimalistic approach to shaping vessels, her metallic black glazing echoes ancient Chinese ritual bronze vessels. By slicing pliable porcelain with a knife, Kim imparts a structured, architectonic texture to this otherwise soft material.
Exhibition Label: “Textures of Interpretation: Meaning and Materiality in Global Contemporary Art," Jan-2010, Sooa Im Kim Yik Yung’s Covered Vessel is a modern reinterpretation of ritual vessels from the Joseon period (1392-1910). While Joseon ritual porcelains inspired Kim’s minimalistic approach to shaping vessels, her metallic black glazing echoes ancient Chinese ritual bronze vessels. By slicing pliable porcelain with a knife, Kim imparts a structured, architectonic texture to this otherwise soft material.

Exhibitions