Honoring Modern Unidentified .4, Gina Adams

Artwork Overview

Gina Adams, artist
born 1965
Honoring Modern Unidentified .4, 2013
Where object was made: Lawrence, Kansas, United States
Material/technique: oil; encaustic; ceramic
Dimensions:
Object Height/Diameter (Height x Diameter): 23 x 23 cm
Object Height/Diameter (Height x Diameter): 9 1/16 x 9 1/16 in
Object Height/Width/Depth (Height x Width x Depth): 31.5 x 25 x 25 cm with base
Object Height/Width/Depth (Height x Width x Depth): 12 3/8 x 9 13/16 x 9 13/16 in
Credit line: Museum purchase: Peter T. Bohan Art Acquisition Fund
Accession number: 2014.0034
Not on display

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Images

Label texts

Separate and Not Equal: A History of Race and Education in America

For her Honoring Modern Unidentified series, Adams responded to the unidentified, anonymous ways many Native people are represented in museum collections. To make this piece, she recreated beadwork designs from the Spencer’s collection that she etched onto ceramic basketballs. He work honors these unknown makers, as well as the countless other Native peoples whose names, cultural identities, and homelands have been lost because of colonialism and subsequent oppression.
Originally taught at boarding schools as part of assimilation attempts, basketball has since been reappropriated by Native communities and is today viewed as a source of resistance, opportunity, and means for survival. Sports, including basketball, can offer Native youth an escape from the often harsh
reservation conditions and provide educational opportunities through athletic scholarships.

Separate and Not Equal: A History of Race and Education in America

For her Honoring Modern Unidentified series, Adams responded
to the unidentified, anonymous ways many Native people are
represented in museum collections. To make this piece, she
recreated beadwork designs from the Spencer’s collection that
she etched onto ceramic basketballs. He work honors these
unknown makers, as well as the countless other Native peoples
whose names, cultural identities, and homelands have been lost
because of colonialism and subsequent oppression.
Originally taught at boarding schools as part of assimilation
attempts, basketball has since been reappropriated by Native
communities and is today viewed as a source of resistance,
opportunity, and means for survival. Sports, including basketball,
can offer Native youth an escape from the often harsh
reservation conditions and provide educational opportunities
through athletic scholarships.

Exhibitions

Cassandra Mesick, curator
2014–2015
Nancy Mahaney, curator
Cassandra Mesick, curator
Celka Straughn, curator
2011–2014
Nancy Mahaney, curator
Cassandra Mesick, curator
Celka Straughn, curator
2011–2014
Cassandra Mesick, curator
2014–2015
Cassandra Mesick Braun, curator
Celka Straughn, curator
2017
Cassandra Mesick Braun, curator
Celka Straughn, curator
2017