Seduction Coat, Renée Stout; Pyramid Atlantic

Artwork Overview

Renée Stout, artist
born 1958
founded 1981
Seduction Coat, 2005
Portfolio/Series title: The Corcoran 2005 Print Portfolio: Drawn to Representation
Where object was made: United States
Material/technique: color lithograph; metallic pigments; thread; chine collé; screen print; inkjet print; collage; Rives BFK™ paper; Kitikata paper
Dimensions:
Object Height/Width (Height x Width): 572 x 381 mm
Object Height/Width (Height x Width): 22 1/2 x 15 in
Credit line: Gift of the Corcoran Gallery of Art, Washington DC
Accession number: 2014.0143.21
On display: Simons Gallery

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Images

Label texts

Bold Women

With an alluring red gown surrounded by multi-sensory elements of desire and seduction, Renée Stout evokes Erzulie, the Haitian Vodou deity of love and beauty. A perfume bottle, bleeding heart flower, and cowrie shell with knotted strands of hair represent an invocation for protection and purification. Stout reveals connections between spirituality, nature, and folk medicine from Africa and its diaspora in her work.

Healing, Knowing, Seeing the Body

Renée Stout exposes the deep connections between nature, spirituality, and folk medicine in Africa and its diaspora. She often references Haitian Vodou, New Orleans Voodoo (or hoodoo), and rootwork, a form of spiritualism that evolved from West African beliefs in the American South among enslaved people. In Root Chart #1, she depicts a series of plants believed to have mystical properties. The inscription at the bottom references one of Stout’s artistic alter-egos: Fatima Mayfield, a fictional Voodoo healer, herbalist, and fortune teller. The uses of these plants extend beyond medicinal applications, offering the power to protect and purify, shape a person’s luck, and influence matters of the heart—a possibility more fully explored in Seduction Coat.

Healing, Knowing, Seeing the Body

Renée Stout exposes the deep connections between nature, spirituality, and folk medicine in Africa and its diaspora. She often references Haitian Vodou, New Orleans Voodoo (or hoodoo), and rootwork, a form of spiritualism that evolved from West African beliefs in the American South among enslaved people. In Root Chart #1, she depicts a series of plants believed to have mystical properties. The inscription at the bottom references one of Stout’s artistic alter-egos: Fatima Mayfield, a fictional Voodoo healer, herbalist, and fortune teller. The uses of these plants extend beyond medicinal applications, offering the power to protect and purify, shape a person’s luck, and influence matters of the heart—a possibility more fully explored in Seduction Coat.

Exhibitions

Cassandra Mesick Braun, curator
2021
Cassandra Mesick Braun, curator
2021
Susan Earle, curator
2025