The Power and Pleasure of Possessions in Korean Painted Screens

Exhibition

Exhibition Overview

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The Power and Pleasure of Possessions in Korean Painted Screens
Kris Ercums, curator
April 15, 2017–June 11, 2017
mobile app exhibition

The Power and Pleasure of Possessions in Korean Painted Screens explores the genre of Korean still-life painting known as chaekgeori. Chaekgeori was one of the most enduring and prolific art forms of Korea’s Joseon dynasty (1392–1910), and it emphasizes books and other material commodities as symbolic embodiments of knowledge, power, and social reform. Funded by the Korea Foundation and organized by Gallery Hyundai, all the screens in the exhibition are on loan from private collections and national institutions in Korea.

Complementing the exhibition will be a small installation of SMA Korean art centered around the recently conserved Gwakbunyang hyangrakdo (Guo Ziyi’s Enjoyment-of-Life Banquet, 2015.0061).

Works of art

郭汾陽行樂圖 Gwakbunyang hyangrakdo (Guo Ziyi‘s Enjoyment-of-Life Banquet Screen)
gu-shaped vase
gu-shaped vase, 1800s, Qing dynasty (1644–1911)
tripod censer
tripod censer, late 1800s, Qing dynasty (1644–1911)
small baluster jar with lid
small baluster jar with lid, 1800s, Qing dynasty (1644–1911)
鼎 (ding tripod)
鼎 (ding tripod), 1800s, Qing dynasty (1644–1911)
郭子儀祝壽 (Birthday Celebration of Guo Ziyi, #6 of 10)
郭子儀祝壽 (Birthday Celebration of Guo Ziyi, #6 of 10), late 1800s, Qing dynasty (1644–1911)
郭子儀祝壽 (Birthday Celebration of Guo Ziyi, #7 of 10)
郭子儀祝壽 (Birthday Celebration of Guo Ziyi, #7 of 10), late 1800s, Qing dynasty (1644–1911)
San-shin (mountain spirit)
San-shin (mountain spirit), 1800s, Joseon dynasty (1392–1910)
Scholar under Pine Tree, Ji Unyeong
Ji Unyeong
tripod censer
tripod censer, 1200s, Southern Song dynasty (1127–1279)
gourd-shaped teapot
gourd-shaped teapot, 1800s, Qing dynasty (1644–1911)
seal paste container
seal paste container, 1800s, Qing dynasty (1644–1911)
long-necked vase
long-necked vase, 1700s, Qing dynasty (1644–1911)
water bowl
water bowl, early 1800s, Qing dynasty (1644–1911)
vase
vase, 1800s, Qing dynasty (1644–1911)
gu-shaped vase
gu-shaped vase, 1800s, Qing dynasty (1644–1911)
libation cup
libation cup, late 1600s, Qing dynasty (1644–1911)
“national treasure” (guo bao 國寶) ink cake
“national treasure” (guo bao 國寶) ink cake, early 1900s, Republic of China (1911–1949)
ink stone
ink stone, late 1800s, Qing dynasty (1644–1911)
ivory screen and stand
ivory screen and stand, 1800s, Qing dynasty (1644–1911)
incense censer
incense censer, 1700s, Qing dynasty (1644–1911)
Chimera (qilin 麒麟) pricket candlestick
Chimera (qilin 麒麟) pricket candlestick, early 1800s, Qing dynasty (1644–1911)
brush pot
brush pot, 1900s
Buddha's hand citron
Buddha's hand citron, 1800s, Qing dynasty (1644–1911)
Chimera (qilin 麒麟)
Chimera (qilin 麒麟), Qing dynasty (1644–1911)
suspended pendant
suspended pendant, late 1800s, Qing dynasty (1644–1911)
brush rest
brush rest, 1900s
seal with three nested stands
seal with three nested stands, late 1800s, Qing dynasty (1644–1911)
scholar's rock with wooden stand
wrist rest
wrist rest, early 1900s, Republic (1911–1949)
seal with container and paste
brush washer with plum branches
brush washer with plum branches, early 1900s, Republic of China (1911–1949)
달항아리 dalhangari (moon jar)
달항아리 dalhangari (moon jar), late 1800s, Joseon dynasty (1392–1910)
dragon vase
dragon vase, 1800s, Joseon dynasty (1392–1910)
footed plate
footed plate, 1800s, Joseon dynasty (1392–1910)
bowl
bowl, 1400s–1500s, Joseon dynasty (1392–1910)
lidded bowl on stand with Cintāmani handle
lidded bowl on stand with Cintāmani handle, 1500s, Joseon dynasty (1392–1910)
bojagi (wrapping cloth)
bojagi (wrapping cloth), late 1800s, Joseon dynasty (1392–1910)
jar with floral motif
jar with floral motif, mid 1800s, Joseon dynasty (1392–1910)
jar
jar, 1500s, Joseon dynasty (1392–1910)
gat (horse hair hat)
cylindrical ornament with brown tassels
cylindrical ornament with brown tassels, 1800s, Qing dynasty (1644–1911)