Beyond the Floating World: Japanese Prints in the 20th Century

Exhibition

Exhibition Overview

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Beyond the Floating World: Japanese Prints in the 20th Century
Sarah Burt, curator
White Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

An exhibition of major twentieth-century Japanese printmakers that displayed the rich diversity of the modern Japanese print. The show traced two parallel printmaking movements, shin hanga or the New Print movement and sosaku hanga, or the Creative Print movement, that sought to reinterpret the Japanese print and take it in new directions. The prints came from the Spencer, the Nelson-Atkins Museum of Art, and several Kansas City collectors. The show was organized by Sarah Burt, art history graduate student and intern in the registrar's office.

Works of art

Sekino Junichirō (1914–1988), Nissaka (The New Tokaido)
1960, Showa period (1926–1989)
Tanaka Ryōhei (1933–1999), Ruined Farm House #4 (Wall #4)
1975, Showa period (1926–1989)
Hagiwara Hideo (1913–2007), Memories of the East
1983, Showa period (1926–1989)
Takahashi Rikio (1917–1999), The Letter (From Kyoto)
1984, Showa period (1926–1989)
Kawase Hasui (1883–1957), Moon at Magome
1930, Showa period (1926–1989)
Shinoda Tōkō (1913–2021), For Thee-N
1988, Showa period (1926–1989)
Takahashi Shōtei (1871–1945), Night Rain at Kiritoshi
circa 1910s, Meiji period (1868–1912)
Yoshida Hiroshi (1876–1950), Calm Wind
1937, Showa period (1926–1989)
Yoshida Hiroshi (1876–1950), Misty Day in Nikkō
1937, Showa period (1926–1989)
Ohara Shōson (1877–1945), Herons in Snow
circa 1910s, Meiji period (1868–1912)
Itō Sōzan (1884–?), Bird on maple branch
late 1910s–early 1920s, Meiji period (1868–1912) or Taisho period (1912–1926)