The Ties that Bind: Haiti, the United States, and the Art of Ulrick Jean-Pierre in Comparative Perspective

Exhibition

Exhibition Overview

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The Ties that Bind: Haiti, the United States, and the Art of Ulrick Jean-Pierre in Comparative Perspective
Cassandra Mesick Braun, curator
September 7, 2018–January 6, 2019
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The Ties That Bind reveals the deep historical connections between Haiti and the United States through the lens of contemporary Haitian art. The exhibition features 12 paintings created by Haitian-born, New Orleans–based painter Ulrick Jean-Pierre that portray striking historic figures influential events in a monumental scale alongside 20th-century Haitian art from the Spencer’s Mary Lou Vansant Hughes collection.

Works of art

Vierge Pierre
Market Day, 1968–1976
Pierre Joseph-Valcin
André Pierre
The Horseman, circa 1970
Gervais Emmanuel Ducasse
Parade, circa 1940–1976
Gerard Valcin
Konbit, circa 1970
Daniel Orelus
People Partying, circa 1970
Penius Leriche
Bernard Séjourné
Bernard Séjourné
Erzuline, 1974
Lucien Pradel
Jean Kolein
Beauty Shop, circa 1970
Salnave Philippe-Auguste
Préfête Duffaut
Pierre Joseph-Valcin
Adam Leontus
Tropical Bird, circa 1950–1976
Descourcel Gourgue
Three Birds in a Tree, circa 1970
Descourcel Gourgue
Jean Edy Morisset
Vodou Ceremony, circa 1970
Murat Brierre
Crucifix, 1966–1976
Rigaud S. Benoît; Antonio Joseph
untitled, circa 1980
Jacksin Mesidor
Jasmin Joseph
Paradise, 1969
Edgar Brierre
Paul Nemours
Rooster, 1974
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Marie Laveau, 2018
Ulrick Jean-Pierre
Ulrick Jean-Pierre
Georges Auguste
untitled, circa 1961
Gesner Armand
Doves, circa 1970