Haunted by the Ghosts of Our Own Making, Hollis Sigler

Ghostly skeletal servers attend a vacant table prepared for a harvest feast. While powerful forces may seem invisible, Hollis Sigler makes her message clear through various inscriptions, with the longest around the frame: “Although the use of DDT has been banned by the Government for years, its long-term effects are now being recognized. The cancer-causing potential of pesticides in use today may be hidden for years to come.”

Ghostly skeletal servers attend a vacant table prepared for a harvest feast. While powerful forces may seem invisible, Hollis Sigler makes her message clear through various inscriptions, with the longest around the frame: “Although the use of DDT has been banned by the Government for years, its long-term effects are now being recognized. The cancer-causing potential of pesticides in use today may be hidden for years to come.”

Haunted by the Ghosts of Our Own Making is one of a series of paintings Hollis Sigler produced during the summer of 1995 on the causes of cancer. Since her mother died of cancer, and intensified by the artist’s recurring struggle against that illness, subjects related to cancer have been prominent in Sigler’s work. The artist died in 2001 from cancer.

Sigler’s painting suggests the work of an untrained artist. She adopted this style, called faux naif, intentionally to identify herself as separate from the male-dominated art scene. Hidden in the brilliantly-colored painting are images of the use of chemicals in agriculture and the inscription around the frame refers to our lack of knowledge of the long-term effects of chemicals.

Haunted by the Ghosts of Our Own Making is one of a series of paintings Hollis Sigler produced during the summer of 1995 on the causes of cancer. Since her mother died of cancer, and intensified by the artist’s recurring struggle against that illness, subjects related to cancer have been prominent in Sigler’s work. The artist died in 2001 from cancer.

Sigler’s painting suggests the work of an untrained artist. She adopted this style, called faux naif, intentionally to identify herself as separate from the male-dominated art scene. Hidden in the brilliantly-colored painting are images of the use of chemicals in agriculture and the inscription around the frame refers to our lack of knowledge of the long-term effects of chemicals.

Haunted by the Ghosts of Our Own Making is one of a series of paintings Hollis Sigler produced during the summer of 1995 on the causes of cancer. Both because her mother died of cancer, and due to the artist’s recurring struggle against that illness, subjects related to cancer have been prominent in Sigler’s work. The artist died in 2001 from cancer.

Sigler’s painting suggests the work of an untrained artist. She adopted this style, called faux naif, intentionally to identify herself as separate from the male-dominated art scene. Hidden in the brilliantly-colored painting are images of the use of chemicals in agriculture and the inscription around the frame refers to our lack of knowledge of the long-term effects of chemicals

Haunted by the Ghosts of Our Own Making is one of a series of paintings Hollis Sigler produced during the summer of 1995 on the causes of cancer. Since her mother died of cancer, and intensified by the artist’s recurring struggle against that illness, subjects related to cancer have been prominent in Sigler’s work. The artist died in 2001 from cancer.

Sigler’s painting suggests the work of an untrained artist. She adopted this style, called faux naif, intentionally to identify herself as separate from the male-dominated art scene. Hidden in the brilliantly-colored painting are images of the use of chemicals in agriculture and the inscription around the frame refers to our lack of knowledge of the long-term effects of chemicals.