The Art of Stories Told

Exhibition

Exhibition Overview

Image not available
The Art of Stories Told
Veronica de Jong, curator
Asia Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Stories of the heroism of Japan’s samurai were a rich source for literature, plays and the visual arts. The Spencer’s Asian art collection offers a bountiful variety of paintings, sculptures and prints that either tell stories or parts of stories, or represent subjects whose stories have been passed on from one generation to the next, even spreading to neighboring countries. These stories, whether religious, military, comical, supernatural, or historical, were popularly transformed into a visual language for a great variety of purposes. They served educational, decorative, propagandistic, and morally uplifting purposes and the details of each illustration and way of representing each version varied over time and in each region. Some stories were illustrated with a single scene or figure while other more complex tales have been conveyed through numerous scenes. This exhibition, organized by Veronica De Jong, the Spencer’s Carpenter Foundation intern in Asian art, seeks to introduce museum visitors to popular stories that reflect the diversity of Chinese and Japanese literary and oral traditions from all levels of society. It also aims to highlight some of the myriad techniques used by artists and artisans to tell these stories.

Works of art

Daoist priest's robe (jiangyi)
late 1800s or early 1900s, Qing dynasty (1644–1911)
Yokoyama Kazan (1784–1837), Minister Hong bows to the Heavenly Teacher
early 1890s, Edo period (1600–1868)
Yokoyama Kazan (1784–1837), Minister Hong bows to the heavenly teacher
1829, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861), Kyōshi netting fish for his mother
circa 1840, Edo period (1600–1868)
Watanabe Gentai (1749–1822), 武陵桃源 Buryô tôgen (Wuling’s Peach Blossom Spring)
late 1700s–early 1800s, Edo period (1600–1868)
Matsumura Goshun (1752–1811), The Red Cliff
late 1700s–early 1800s, Edo period (1600–1868)
Chinese War Scene, Sino-Russian Battle at Niuzhuang, 1900
late 1800s, Qing dynasty (1644–1911)
Utagawa Sadakage I (active circa 1818–1844), Lady Yugao
early 1820s, Edo period (1600–1868)
Toyohara Kunichika (1835–1900), Scene from Banchō Sarayashiki
1892, 10th month, Meiji period (1868–1912)
Utagawa Kuniyoshi (1797–1861); Iba-ya Sensaburo, Nissaka (The Nightly Weeping Rock)
circa 1845–1846, Edo period (1600–1868)
Utagawa Kuniyoshi (1797–1861); Hayashiiya Shogoro, Spirit of Sakura Sogoro haunting Hotta Kozuke
circa 1850, Edo period (1600–1868)

Resources

Documents