Saint Peter as Pope, unknown maker from Germany

Artwork Overview

Saint Peter as Pope
circa 1480–1490
Saint Peter as Pope , circa 1480–1490
Where object was made: Duchy of Swabia or Duchy of Bavaria (present-day Germany)
Material/technique: polychromy; linden wood
Dimensions:
Object Height/Width/Depth (Height x Width x Depth): 103.8 x 47.6 x 26.3 cm
Object Height/Width/Depth (Height x Width x Depth): 40 7/8 x 18 3/4 x 10 3/8 in
Credit line: Museum purchase: Swannie Smith Zink Fund, Elizabeth M. Watkins Fund and The Kansas University Endowment Association
Accession number: 1960.0067
Not on display

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Images

Label texts

Corpus - Project Redefine: Phase 2
This sculpture presents St. Peter as the first pope and as the foundation of the Catholic church. The stable, voluminous figure of Peter communicates his role as the so-called “rock” on which the church was built, a reference to both his importance in early Christianity and to his name, Petros, which means “rock” in Greek. The figure’s tiered crown echoes the papal tiara, and the robes that drape heavily across his body are careful renditions of liturgical vestments. The right hand of this figure appears to have once held a crosier (staff), while his left hand may have cradled the keys that are associated with Peter’s role as the gatekeeper of heaven.
Exhibition Label: "Corpus," Apr-2012, Chassica Kirchhoff This sculpture presents St. Peter as the first pope and as the foundation of the Catholic church. The stable, voluminous figure of Peter communicates his role as the so-called “rock” on which the church was built, a reference to both his importance in early Christianity and to his name, Petros, which means “rock” in Greek. The figure’s tiered crown echoes the papal tiara, and the robes that drape heavily across his body are careful renditions of liturgical vestments. The right hand of this figure appears to have once held a crosier (staff), while his left hand may have cradled the keys that are associated with Peter’s role as the gatekeeper of heaven. Archive Label: According to the Gospel of St. Matthew, Christ said to Peter, “Thou art Peter, and upon this rock I will build my church.” Peter thus became the first pope, and it is in that role that he is shown here. On his head he wears the papal tiara, composed of three separate crowns which symbolize the Trinity. In his left hand he probably once held a gospel book; in his right, the keys to the Kingdom of Heaven and Hell. This late Gothic sculpture is not a free-standing work, but is carved in high relief with the back hollowed out. Such a sculpture was not intended to stand alone but would have been part of one of the large elaborately carved altars common in southern Germany.

Exhibitions

Citations

Hyland, Douglas, and Marilyn Stokstad, eds. Catalogue of the Sculpture Collection: Helen Foresman Spencer Museum of Art. Lawrence, Kansas: Spencer Museum of Art, The University of Kansas, 1981.

Stokstad, Marilyn, ed. The Handbook of the Museum of Art. Lawrence, Kansas: The University of Kansas, 1962.

The Medieval Collections of the Museum of Art. Lawrence, Kansas: The University of Kansas Museum of Art, 1963.

The University of Kansas Museum of Art. The Register of the Museum of Art 2, no. 5 (l960):

Eldredge, Charles C. Alumni Gifts to the University of Kansas Museum of Art. Lawrence, Kansas: The University of Kansas Museum of Art, 1973.