self-portraits, Otto Dix

Artwork Overview

Otto Dix, artist
1891–1969
self-portraits, 1914
Where object was made: Germany
Material/technique: oil; composition board
Dimensions:
Canvas/Support (Height x Width x Depth): 70.5 x 54.6 cm
Canvas/Support (Height x Width x Depth): 27 3/4 x 21 1/2 in
Frame Dimensions (Height x Width x Depth): 36 5/8 x 31 5/8 x 2 1/8 in
Credit line: Museum purchase
Accession number: 1961.0004
On display: Michaelis Gallery

If you wish to reproduce this image, please submit an image request

Images

Label texts

Empowerment

Created amidst the rumblings of the First World War (1914–1918), this painting presents a forceful exploration of self-identity. The artist’s brightly painted signature “DIX” provides a central point around which he presents himself in multiple guises. Are these expressions of military strength, the destructive forces of war, the creative power of art, or Dix’s own dreams and visions?

Empowerment

Created amidst the rumblings of the First World War (1914–1918), this painting presents a forceful exploration of self-identity. The artist’s brightly painted signature “DIX” provides a central point around which he presents himself in multiple guises. Are these expressions of military strength, the destructive forces of war, the creative power of art, or Dix’s own dreams and visions?

Debut

Otto Dix volunteered in Dresden, Germany, for military service at the outbreak of World War I in 1914. By the fall of 1915, he was a machine gunner and platoon commander in France, Flanders, Poland, and Russia and witnessed some of the most harrowing chapters of WWI. This untitled self-portrait is best understood as an exploration of the self in various guises that seems to culminate in two helmeted figures near the central signature in red.

Debut

Otto Dix volunteered in Dresden, Germany, for military service at the outbreak of World War I in 1914. By the fall of 1915, he was a machine gunner and platoon commander in France, Flanders, Poland, and Russia and witnessed some of the most harrowing chapters of WWI. This untitled self-portrait is best understood as an exploration of the self in various guises that seems to culminate in two helmeted figures near the central signature in red.

Exhibitions

Kris Ercums, curator
2012–2015
Susan Earle, curator
2016–2021
Susan Earle, curator
2016–2021
Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027
Kris Ercums, curator
2021–2023
Kris Ercums, curator
2021–2022
Susan Earle, curator
Celka Straughn, curator
Kristina Walker, curator
Angela Watts, curator
2022–2027

Resources

Audio

Documents

Links