bowl with chrysanthemums, Miyagawa Kōzan

Artwork Overview

bowl with chrysanthemums, Miyagawa Kōzan
late 1800s, Meiji period (1868–1912)
1842–1916
bowl with chrysanthemums, late 1800s, Meiji period (1868–1912)
Where object was made: Japan
Material/technique: porcelain; 薩摩焼 Satsuma ware; gilding; glaze
Dimensions:
Object Height/Diameter (Height x Diameter): 6.7 x 10.8 cm
Object Height/Diameter (Height x Diameter): 2 5/8 x 4 1/4 in
Credit line: William Bridges Thayer Memorial
Accession number: 1928.1639
Not on display

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Images

Label texts

Collection Cards: Plants

Colorful chrysanthemum flowers cover the surface of this small Japanese bowl. Notice all of the swirling, brightly colored petals outlined in gold. Chrysanthemums were brought to Japan from China as medicine. It was believed that these flowers could make people live longer. In Japan, they came to symbolize a long life or rejuvenation, which means making people young again or restoring their youthful energy. Chrysanthemums, particularly the orange flowers, also became a symbol of the emperor.

Just like birthstones, you also have a flower for your birth month. What is your birth month flower, and what does it symbolize?

Spencer Museum of Art Highlights

Kilns established in the Satsuma domain in southern Kyushu by Korean potters in the late 16th century initially produced stonewares covered with a thick dark glaze. During the mid-19th century, the well-known Satsuma ware with "brocade" enameled designs on a buff body was created. This later Satsuma ware is earthenware and does not produce a "ring" when tapped. The paste is slightly yellowish and the glaze normally has a fine crackle. These highly decorated wares were produced in several cities such as Kyoto, Tokyo, Nagoya, Yokohama, and elsewhere from the Meiji period mostly for export to the West, and are still being produced.

Civic Leader and Art Collector: Sallie Casey Thayer and an Art Museum for KU

Kilns established in the late 16th century by Korean potters who were forcibly relocated to the Satsuma domain of southern Kyushu, Japan initially produced stone wares covered with a thick dark glaze called Satsuma ware. Later Satsuma ware was produced in Kyoto. During the Meiji period, artists produced these highly decorated wares in several Japanese cities, mostly for export to Europe and the United States. Western collectors’ interests developed following the displays of Satsuma ware at various late 19th-century World’s Fairs. Satsuma ware from the Meiji period, such as this piece, featured extensive decoration in over glaze and polychrome paint and gold, which often depicted bird-and-flower compositions. These decorative schemes catered to the demands of European and American collectors like Sallie Casey Thayer.

Tap the image above and swipe to view details of the bowl.

Google Art Project

Kilns established in the Satsuma domain in southern Kyushu by Korean potters in the late 16th century initially produced stonewares covered with a thick dark glaze. During the mid-19th century, the well-known Satsuma ware with "brocade" enameled designs on a buff body was created. This later Satsuma ware is earthenware and does not produce a "ring" when tapped. The paste is slightly yellowish and the glaze normally has a fine crackle. These highly decorated wares were produced in several cities such as Kyoto, Tokyo, Nagoya, Yokohama, and elsewhere from the Meiji period mostly for export to the West, and are still being produced.

Exhibitions