Intersections of Race and Gender

Exhibition

Exhibition Overview

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Intersections of Race and Gender
Erin Barnett, curator
Rachel Epp Buller, curator
Douglas Steward, curator
Study Gallery, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Presented in conjunction with a KU course in the Department of English, this show explores representations of the interrelated issues fo race and gender.

Works of art

Jacob Lawrence (1917–2000), The Builders: The Family
The Builders: The Family
Jacob Lawrence
1974
Marion Palfi (1907–1978), Somewhere in the South, 1946-49, City bus
Somewhere in the South, 1946-49, City bus
Marion Palfi
1946–1949
Marion Palfi (1907–1978), Washington, D.C., 1964
Washington, D.C., 1964
Marion Palfi
1964
Marion Palfi (1907–1978), Madera, California, 1967-69, A new arrival for "acculturation" and "relocation"
Madera, California, 1967-69, A new arrival for "acculturation" and "relocation"
Marion Palfi
1967–1969
Gordon Parks (1912–2006), American Gothic, Washington, D.C.
American Gothic, Washington, D.C.
Gordon Parks
1942
Gordon Parks (1912–2006), Malcolm X Holding up Black Muslim Newspaper, Harlem, New York
Malcolm X Holding up Black Muslim Newspaper, Harlem, New York
Gordon Parks
1963
Gordon Parks (1912–2006), Man Peeking from Manhole, Harlem
Man Peeking from Manhole, Harlem
Gordon Parks
1952
Martha Rosler (born 1943), Makeup / Hands Up
Makeup / Hands Up
Martha Rosler
1969–1972
Alison Saar (born 1956); Vinalhaven Press (active 1985–1999), Blue Plate Special
Blue Plate Special
Alison Saar, Vinalhaven Press
1993
Edmund Yankov; Peter Sekaer (1901–1950), untitled
untitled
Peter Sekaer, Edmund Yankov
1936
Andres Serrano (born 1950), Madonna and Child II
Madonna and Child II
Andres Serrano
1989
Aaron Siskind (1903–1991), Harlem Document
Harlem Document
Aaron Siskind
circa 1937
Dan Wynn (1919–1995), “Body and Soul: Gloria Steinem and her partner, Dorothy Pitman Hughes, demonstrate the style that has thrilled audiences on the Women’s Liberation lecture circuit.”
“Body and Soul: Gloria Steinem and her partner, Dorothy Pitman Hughes, demonstrate the style that has thrilled audiences on the Women’s Liberation lecture circuit.”
Dan Wynn
1971