MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2], Robert Michel

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Robert Michel, MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2]
Robert Michel, MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2]
Robert Michel
MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2]
1919–1920
MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2], 1919–1920
Where object was made: Germany
Material/technique: laid paper; woodcut
Dimensions:
Image Dimensions Height/Width (Height x Width): 460 x 362 mm
Sheet/Paper Dimensions (Height x Width): 562 x 469 mm
Image Dimensions Height/Width (Height x Width): 18 1/8 x 14 1/4 in
Sheet/Paper Dimensions (Height x Width): 22 1/8 x 18 7/16 in
Mat Dimensions (Height x Width): 25 x 20 in
Credit line: Museum purchase: Letha Churchill Walker Memorial Art Fund
Accession number: 1995.0011
Not on display
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Exhibition Label: "Machine in a Void: World War I & the Graphic Arts," Mar-2010, Steve Goddard During the War Robert Michel served as a pilot. He survived a crash in the airplane he was testing in 1916, and reportedly picked up pieces of the ruined machine after the crash. He recovered from this crash in a hospital near Weimar and attended the nearby Hochschule für Bildende Kunst (Academy of Fine Art), which would become the Bauhaus in 1919. While he was in touch with the artists of the Bauhaus, he preferred to remain independent and never closely affiliated with the Bauhaus itself. The Central European Time zone was imposed on all lands occupied by Germany.