Brosseau Center for Learning: German Expressionism | Spencer Museum of Art

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Exhibition

Brosseau Center for Learning: German Expressionism

Brosseau Center for Learning: German Expressionism

Gallery 318, The Jack and Lavon Brosseau Center for Learning, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selections for Ari Linden and Andrea Meyertholen's GERM 301 High Intermediate German.

Works of art

George Grosz (1893–1959), Gefangen (Prisoners of War)

Ernst Ludwig Kirchner (1880–1938), Three Peasants Mowing Grass

Käthe Kollwitz (1867–1945), Die Liebenden dem Toten (gedenkblatt fur Karl Liebknecht) [The Living for the Dead (memorial for Karl Liebknecht)]

Max Beckmann (1884–1950), Portrait of Reinhard Piper

Käthe Kollwitz (1867–1945), Die Pfluger (The Ploughmen)

Emil Nolde (1867–1956), Familie

Erich Heckel (1883–1970), Liegende (Reclining figure)

Franz Marc (1880–1916), Reitschule (Riding School)

Gunther Sander; August Sander (1876–1964), Hod Carrier, Cologne

Lyonel Feininger (1871–1956), Kirche

Max Beckmann (1884–1950), Schiessbude (Shooting Gallery)

Robert Michel (1897–1983), MEZ (Mitteleuropaische Zeit) No. 2 [CET (Central European Time) No. 2]

Johannes Molzahn (1892–1965), Klingen (Sound)

Karl Schmidt-Rottluff (1884–1976), Trauernde am Strand (Mourners on a Beach)

Otto Dix (1891–1969), Explosion

George Grosz (1893–1959), Friedrichstrasse

Georg Scholz (1890–1945), Hinrichtung (Summary Execution)

Ernst Barlach (1870–1938), Wem Zeit wie Ewigkeit und Ewigkeit wie Zeit, der ist befreit von allem Leid (If Time Was Like Eternity and Eternity Like Time, There Would Be Freedom From All Suffering)

Hans Grundig (1901–1958), Streik! Kämpft mit der RGO [Revolutionäre Gewerkschafts Opposition] (Strike! Fight with the Revolutionary Union Opposition)

Otto Dix (1891–1969), Bei Langmarck (Februar 1918) [Near Langemarck (February 1918)]