Teaching Gallery: Japanese Prints Spring 2013 | Spencer Museum of Art

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Teaching Gallery: Japanese Prints Spring 2013

March 26, 2013–April 7, 2013

Gallery 319, Spencer Museum of Art, University of Kansas, Lawrence, Kansas

Selected by Alison Miller for HA 267, Art & Culture of Japan, a KCAI course on Gender in Japanese Art, and visiting scholar Kevin Carr

Works of art

(The miraculous gourd guarded by sacred snake which appeared in the garden of Emaro in Sanuki province around the time of the birth of Prince Shotoku), Utagawa Kuniyoshi (1797–1861) — Utagawa Kuniyoshi (1797–1861)

(The miraculous gourd guarded by sacred snake which appeared in the garden of Emaro in Sanuki province around the time of the birth of Prince Shotoku), circa 1840 (later printing), Edo period (1600–1868)

#54 Ōtsu Miidera Kannondō yori Ōtsu no machi kosui chōbō (View of Ōtsu and Lake from the Kannon Hall at Mii Temple), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#54 Ōtsu Miidera Kannondō yori Ōtsu no machi kosui chōbō (View of Ōtsu and Lake from the Kannon Hall at Mii Temple), 1855–1857, Edo period (1600–1868)

#49 Sakanoshita gankutsu no Kannon (Cave shrine of Kannon at Sakanoshita), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#49 Sakanoshita gankutsu no Kannon (Cave shrine of Kannon at Sakanoshita), 1855, 7th month, Edo period (1600–1868)

The Landscape from Odawara to Hakone Mountain Road, Utagawa Sadahide (1807–1873) — Utagawa Sadahide (1807–1873)

The Landscape from Odawara to Hakone Mountain Road, 1860, 3rd month, Edo period (1600–1868)

Sūtra of the Whole-Body Relic Treasure Chest Seal Dhāraṇī — Sūtra of the Whole-Body Relic Treasure Chest Seal Dhāraṇī, 1200s, Goryeo dynasty (918–1392)

Buddhist guardian deity — Buddhist guardian deity, 1200s, Goryeo dynasty (918–1392)

Tōfukuji Nehanzō (Parinirvana image from Tōfukuji temple in Kyoto), Kichizan Minchō (1351 or 1352–1431) — Kichizan Minchō (1351 or 1352–1431)

Tōfukuji Nehanzō (Parinirvana image from Tōfukuji temple in Kyoto), late Edo period (1600–1868) to early Meiji period (1868–1912)

Jigoku dayū (Hell Courtesan), Kawanabe Kyōsai (1831–1889); Sawamuraya Seikichi — Kawanabe Kyōsai (1831–1889); Sawamuraya Seikichi

Jigoku dayū (Hell Courtesan), 1874, Meiji period (1868–1912)

Flower Garland Sutra transformation tableau — Flower Garland Sutra transformation tableau, 1200s, Goryeo dynasty (918–1392)

Priest Raigō of Mii Temple Transformed into a Rat, 月岡芳年 Tsukioka Yoshitoshi (1839–1892) — 月岡芳年 Tsukioka Yoshitoshi (1839–1892)

Priest Raigō of Mii Temple Transformed into a Rat, 1891, Meiji period (1868–1912)

#47 Fudō Waterfall at Ōji, Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#47 Fudō Waterfall at Ōji, 1857, 9th month, Edo period (1600–1868)

Sanka haku-u (White Rain Below the Mountain), Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Sanka haku-u (White Rain Below the Mountain), circa 1830, Edo period (1600–1868)

Four Beauties in Procession, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

Four Beauties in Procession, 1805, 11th month, Edo period (1600–1868)

Goldfish, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

Goldfish, circa 1802, Edo period (1600–1868)

Courtesan holding hand of bashful young man, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

Courtesan holding hand of bashful young man, circa 1801–1803, Edo period (1600–1868)

woman cleaning a pipe, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

woman cleaning a pipe, circa 1800, Edo period (1600–1868)

Painting the Lips, Kitagawa Utamaro (1754–1806) — Kitagawa Utamaro (1754–1806)

Painting the Lips, circa 1794–1795, Edo period (1600–1868)

#21, Maneemon watches a courtesan strike a client, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

#21, Maneemon watches a courtesan strike a client, late 1760s, Edo period (1600–1868)

The Waitress Oyoshi of the Yamato Tea Shop, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

The Waitress Oyoshi of the Yamato Tea Shop, late 1760s, Edo period (1600–1868)

Two Beauties Washing Their Hair, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

Two Beauties Washing Their Hair, late 1760s, Edo period (1600–1868)

young man staring at Ofuji of the Motoyanagiya toothbrush shop, Suzuki Harunobu (circa 1725–1770) — Suzuki Harunobu (circa 1725–1770)

young man staring at Ofuji of the Motoyanagiya toothbrush shop, late 1760s, Edo period (1600–1868)

Ichikawa Komazō and Nakayama Tomisaburō (copy of a Sharaku)

Yon daime (Act 4), Utagawa Toyokuni I (1769–1825) — Utagawa Toyokuni I (1769–1825)

Yon daime (Act 4), circa 1790, Edo period (1600–1868)

#72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#72 Haneda no watashi Benten no yashira (Benten Shrine from the Ferry at Haneda), 1858, 8th month, Edo period (1600–1868)

#13 Numazu Ashigarayama Fuji yukibara (Mt. Ashigara and Mt. Fuji in Clear Weather after Snow at Numazu), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

#13 Numazu Ashigarayama Fuji yukibara (Mt. Ashigara and Mt. Fuji in Clear Weather after Snow at Numazu), 1855–1857, Edo period (1600–1868)

Boshu hoda no kaigan (The Hoda Coast in Awa Province), Utagawa Hiroshige (1797–1858) — Utagawa Hiroshige (1797–1858)

Boshu hoda no kaigan (The Hoda Coast in Awa Province), 1858, 4th month, Edo period (1600–1868)

Sumō Wrestlers, sheet 9, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Sumō Wrestlers, sheet 9, late 1800s edition, Meiji period (1868–1912)

Microscope, Katsushika Hokusai (1760–1849) — Katsushika Hokusai (1760–1849)

Microscope, circa 1800–1805, Edo period (1600–1868)